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Humanistic Letters
Irving Babbitt (1865–1933) and Paul Elmer More (1864–1937) were the leading lights of the New Humanism, a consequential movement of literary and social criticism in America. Through their writings on literary, educational, cultural, religious, and political topics, they influenced countless important thinkers, such as T.S. Eliot, C.S. Lewis, Russell Kirk, Benedetto Croce, Werner Jaeger, and George Will. Their work became the source of heated public debates in the 1920s and early 1930s. The belligerent criticisms of Babbitt and More—composed by such famous intellectuals as Ernest Hemmingway and H.L. Mencken—have ensured that the New Humanism has seldom been properly appreciated. Humanistic Letters helps remedy this problem, by providing for the first time the extant correspondence of Babbitt and More, which gets to the heart of their intellectual project.
Vshamru
The Torah has two basic components: a long, complex narrative thatserves as the backstory to the covenant and its literary frame, and thespecific commandments that serve as the terms of that covenant. Thenarrative itself—the long, complex narratives relating to the creationof the world, the great flood, the adventures of the patriarchs andmatriarchs of Israel, the descent into slavery in Egypt, the exodusfrom Egypt, the events at Mount Sinai, and the subsequent journeythe edge of the Land of Israel, where the people are camped whenthe Torah narrative concludes with Moses’ death—is relativelywell-known even in the secular Western world. And some of thecommandments too are well known to ...
Memory in Augustine's Theological Anthropology
This book explores the theme of 'memory' in Augustine's works, tracing its philosophical and theological significance. It shows how Augustine inherits this theme from classical philosophy and how Augustine's theological understanding of Christ draws on and resolves tensions in the theme of memory.
Musica Naturalis
A critical study of the relationship between poetics and music theory in medieval culture and aesthetics. Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which Deschamps defines as “artificial.” Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustin...
Disability in the Middle Ages
What do we mean when we talk about disability in the Middle Ages? This volume brings together dynamic scholars working on the subject in medieval literature and history, who use the latest approaches from the field to address this central question. Contributors discuss such standard medieval texts as the Arthurian Legend, The Canterbury Tales and Old Norse Sagas, providing an accessible entry point to the field of medieval disability studies to medievalists. The essays explore a wide variety of disabilities, including the more traditionally accepted classifications of blindness and deafness, as well as perceived disabilities such as madness, pregnancy and age. Adopting a ground-breaking new approach to the study of disability in the medieval period, this provocative book will interest medievalists and scholars of disability throughout history.
