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Madness, Love and Tragedy in Nineteenth and Twentieth Century Spain
How do Spanish writers of the 19th and 20th century define and represent madness, a basic and controversial aspect of world culture, and how do the different conceptions of madness intersect with love, religion, politics, and other literary themes in Spanish society? This multi-author book analyzes the theme of madness in formative masterpieces of Spanish literature of the 19th and 20th century through the use of relevant critical and theoretical approaches. In this context, authors studied in this book include Juan Valera, Leopoldo Alas Clarín, Emilia Pardo Bazán, Caterina Albert, Benito Pérez Galdós, Miguel de Unamuno, and Juan Goytisolo, among others.
Experience and Objectivity in the Writings of Rafael Sánchez Ferlosio
This book provides, for the first time, an exposition of his philosophical writings - those on learning and cognition as well as those on reading, writing, and the nature of creativity in his quasi-Cervantine work, Las Semanas del jardin (1974). A consideration of these 'forgotten' works entails a reassessment both of Sanchez Ferlosio's novels, particularly El Jarama, and a critique of some of the critical orthodoxies which have grown up around the objetivista movement of the 1950s.
Jorge Luis Borges (1899-1986) as Writer and Social Critic
The essays in this book, ably edited by Dr. Racz, attempt to read Borges in this counter-monumental mode using the centennial of his birth as a point of departure. It is a fitting way to do Borges in our tangled era, keenly aware of the perils of public memorializing-in Buenos Aires's Memory Park to the disappeared, in New York's Ground Zero memorial to the blown apart-yet striving for the kind of open and fluid remembrance of the past that encourages new telling(s) of what inevitably will become old tales.
Political Revolution and Literary Experiment in the Spanish Romantic Period (1830-1850)
This work brings together the study of political and literary thought in response to revolution in order to present an alternative view of the strength of liberalism generally and progressivism in particular. It re-examines the achievements of progressive thought about politics, history, nationhood, and literature, investigating the basis of the philosophical dispute between Conservative and left Liberals. The strong presence of progressive thought in Spain is affirmed. The study also underlines the importance for literary historians of understanding more sympathetically the contribution of Conservative Liberal thought to a recognizable Liberal Romanticism.
Monstrous Projections of Femininity in the Fiction of Mexican Writer Rosario Castellanos
One of the most unfathomable aspects of Castellanos' work is the parade of female deformities within it, a record of the pain of women's oppression in its varying forms, and the female body as a site of shame, disease, disfigurement and pain.
The Colonial Subject's Search for Nation, Culture, and Identity in the Works of Julia Alvarez, Rosario Ferré, and Ana Lydia Vega
In this study, Henao considers the ways in which the narratives of Julia lvarez, Rosario Ferr, and Ana Lydia Vega challenge traditional representations of Spanish Caribbean women. She explores the connections these works establish between women's identities and the colonial cultures of Puerto Rico,
A Translation and Interpretation of Rosa Chacel's Sonnets
Each of these sonnets, written in the early 30s, is written to a friend, relative or acquaintance of Rosa Chacel's, and is a critical commentary on that person's life circumstances. A prescription for action is containedin the tercets. Included among these are luminaries such as Pablo Neruda and Nikos Kazantzakis. THe sonnets' most unique feature is their deliberatly cryptic nature: each poem is an erudite riddle. without through and ardous investigation of a term's symbolic, intertextual and linguistic complexity, the readers understanding of the sonnets is hindered. This guide decodes their formal complexity, investigating form, imagery, language and themes.
The Imaginary in the Writing of Latin American Author Amanda Labarca Hubertson (1886-1975)
This thematic study is the only in-depth investigation into the fictional and testimonial literature of Amanda Labarca Hubertson, Chilean educator, reformer, and promoter of women's rights. These imaginary writings include such little-known works as her semi-autobiographical novel, En tierras extranas (1915), the short novel, La lampara maravillosa (1921), the collection of short stories entitled Cuentos a mi senor, the testimonial Meditaciones and Meditaciones breves (1928-1931), and the marginal journal fragments, Desvelos en el alba (1945). A preliminary chapter also addresses the controversy surrounding her published literary thesis, La novela castellana de hoi [sic, 1906]. The study corrects some interpretive errors regarding earlier scholarship on Labarca's perceived feminist writings by examining the sexual (gendered) complexities that imprint themselves in Labarca's fictional work and literary criticism. While she may be criticized for omitting any materialist analysis of power, in her literature Labarca attempted to effect change in the social order by pointing out its contradictions. Paradoxically, a close reading of Labarca's dangerously contradictory and yet amorous
Promised Land
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Poetry by Contemporary Honduran Women
This book contains poetry by more than 15 contemporary women in Honduras, only three of whom have been translated into English before. Included are facing page translations. Poets include: Aida Sabonge; Alejandra Flores Bermudez; Amanda Castro; Armida Garcia; Blanca Guifarro; Claudia Torres; Debora Ramos; Elisa Logan; Francesca Randazzo; Indira Flamenco; Juana Pavlon; Lety Elvir; Maria Eugenia Ramos; Mirna Rivera; Normandina Pagoada; Raquel Lobo; Rebeca Becerra; Sara Salazar; Waldina Mejia; Xiomara Bu; and Yadira Eguiguren.
