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My Son, My Father, My Hero
My Son, My Father, My Hero is based on the journal that was kept by Larry A. Woodruffs parents from the beginning of his illness. During the first week of dealing with this horrible nightmare, they met another mother whose son had cancer. She gave them some tips on how to get the best care and choices for their son. She told them to keep a daily journal of his medicines and treatments and record how he reacted to them. When the doctors order a medical test, she told them to ask what they hoped to learn and what they would do differently after obtaining the results. And she told them to never forget that this was a teaching hospital and that the medical staff would do tests to learn different things concerning the illness. This book was written to help other parents and families with loved ones who have had not only cancer but also other diseases that put a family in dreadful distress. The disease affects not only the patient but also everyone who is in direct contact with him or her. In their case, cancer affected Larrys parents, brothers, wife, children, grandparents, aunts, uncles, cousins, and many friends. This is their story.
The Creators - 1
At Christmas 2015, family arguments about Pete Bridford’s huge success in business, together with premonitions of the Brexit vote, lead him to realise that the lessons he learnt in his youth are going to be needed today. He decides to write them down. First he goes back 50 years, to October 1967, when he is beginning research at Cambridge University. Glittering academic prizes have already come his way. More beckon, and for a while they arrive in both academic and personal life. He finds that he can get on through pulling the right strings in College politics, though this means he cannot give his friend Harry Tamfield as much support as he might. He befriends Jenny Wingham, the daughter of...
Choreographies
Choreographer Jacky Lansley has been practicing and performing for more than four decades. In Choreographies, she offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals and a close attention to space and site. Choreographies is both autobiography and archive – documenting production through rehearsal and performance photographs, illustrations, scores, process notes, reviews, audience feedback and interviews with both dancers and choreographers. Covering the author’s practice from 1975 to 2019, the book delves into an important period of change in contemporary British dance – exploring British New Dance, postmodern dance and experimental dance outside of a canonical US context. A critically engaged reflection that focuses on artistic process over finished product, Choreographies is a much-needed resource in the fields of dance and choreographic art making.
Feminist Judgments
Fifty feminist law professors come together to rewrite twenty-five major Supreme Court opinions on gender justice and equality.
The Soul of a City
Dive into the heart and soul of urban life with "The Soul of a City: Deep Dives into Urban Culture" by T.J. Ravenscroft. This compelling exploration transcends conventional boundaries to examine the intricate tapestry of human interactions within the built environment. Ravenscroft navigates the dynamic interplay between social, economic, and political elements that shape urban spaces. Through detailed analysis and evocative narratives, the book reveals how cities become arenas for the convergence of ideas, relationships, and cultural expressions. Whether you are an urbanologist or simply curious about the essence of urban living, this book offers profound insights into the forces that make cities vibrant, complex, and endlessly fascinating.
Sonic Agency
A timely exploration of whether sound and listening can be the basis of political change. In a world dominated by the visual, could contemporary resistances be auditory? This timely and important book from Goldsmiths Press highlights sound's invisible, disruptive, and affective qualities and asks whether the unseen nature of sound can support a political transformation. In Sonic Agency, Brandon LaBelle sets out to engage contemporary social and political crises by way of sonic thought and imagination. He divides sound's functions into four figures of resistance—the invisible, the overheard, the itinerant, and the weak—and argues for their role in creating alternative “unlikely publicsâ...
Experimenting the Human
Beyond the modernist project of subjecting sound parameters to the deterministic human control exemplified by serialism, experimentalism has used indeterminacy-beginning with chance and natural processes and later incorporating computer algorithms, biofeedback, and AI-in ways that mirror posthumanism's challenge to the centrality of human agency. Through a series of six intimate studies of works by Alvin Lucier, Nam June Paik, Pamela Z, and Laetitia Sonami, Barrett places posthuman thought in dialogue with works of experimental music surveyed from the 1960s to the present. In addition to studies of individual musical works, he illustrates existing exchanges between experimental music and cybernetics theorists since the 1950s, and links this dialogue to posthumanist theory beginning in the 1990s for which those very cyberneticists were a primary point of departure. .
Rainforest V (variation 3)
Focusing on a single work from the Arter Collection in each title, Arter Close-Up series continues its journey, following Sarkis’ iconic work Çaylak Sokak, with an in-depth look at the interactive installation Rainforest V (variation 3). Acquired for the collection in 2018, the work marks a significant turning point in contemporary art history. Drawing on the presentation of the work in Arter’s Karbon performance hall (10 September 2020–30 January 2022), the publication grows out of a conversation between Melih Fereli, Arter’s Founding Director and the exhibition’s curator, and John Driscoll & Phil Edelstein, highlighting the evolution of Rainforest, the collaborations cultivated ...
Participatory Sound Art
This book addresses a major gap in sound art scholarship: the role of audience participation. It offers a survey of participatory sound art from its origins in the historical avant-gardes to the non-institutionalized forms of sonic creativity in contemporary digital culture. In doing so, it proposes an innovative theoretical framework for analysing such phenomena, rooted in Pragmatist aesthetics, affordance theory and postcritique. Combining artwork analyses with qualitative studies, it focuses on three principal aspects of participatory sound art: the ways the materialities of the artworks facilitate and structure the participatory processes; the interplay of the creative agencies of the artists and the participants; and the postcritical approach to sound art’s politics, unfolding through the participants’ affective gestures. In considering these multiple dimensions, this book contributes to the growing fields of sound studies and participation studies, as well as to curatorial practice regarding sound art and participatory art.
Air Force Magazine
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