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Krzysztof Kieslowski
Krzysztof Kieslowski’s untimely death came at the height of his career, after his Three Colors trilogy of films garnered international acclaim (and an Oscar nomination), and he had been proclaimed Europe’s most important filmmaker by many critics. Born in 1941, he was only fifty-four years old when he died. Kieslowski himself tried to tell the story of his life and career in the 1993 book Kieslowski on Kieslowski. This collection, by contrast, reveals the shifting voice of a filmmaker who was initially optimistic about his social and cultural role, then felt himself buffeted by the turbulent politics and events of the People’s Republic of Poland. As described in the chronology in this ...
Mineral Fibres
In the last decades, there has been increasing interest in Naturally Occurring Asbestos (NOA) and asbestos containing materials (ACMs) as a source of possible environmental risk. A crucial theme of interest related to environmental pollution is the enhanced mobilization of asbestos minerals affecting soils and rocks due to human activities (e.g., road construction, mining activity) in comparison with natural weathering processes. The volume has aimed to gather contributions and to compare results derived from various experiences of research groups regarding NOA minerals as a source of possible environmental risks for population. Case studies from various geological contexts are presented. Moreover, contributions presenting novel and classical approaches for ACM inertization and recycling, together with possible solutions for reducing asbestos exposure, has been also presented.
The Cinema of Krzysztof Kieślowski
Since his death in 1996, Krzysztof Kieslowski has remained the best-known contemporary Polish filmmaker and one of the most popular and respected European directors, internationally renowned for his ambitious Decalogue and Three Colors trilogy. In this new addition to the Directors'Cuts series, Marek Haltof provides a comprehensive study of Kieslowski's cinema, discussing industrial practices in Poland and stressing that the director did not fit the traditional image of a "great" East-Central European auteur. He draws a fascinating portrait of the stridently independent director's work, noting that Kieslowski was not afraid to express unpopular views in film or in life. Haltof also shows how the director's work remains unique in the context of Polish documentary and narrative cinema.
Public in Public History
Public in Public History presents international research on the role of the public in public history: the ways people perceive, respond to and influence history-related institutions, events, services and products that deal with the past. The book addresses theoretical reflections on the public, or multiple publics, and their role in public history, and empirical analyses of the publics’ active responses to and impact on existing forms of public history. Special attention is also paid to digital public history, which facilitates the double role of the public—as both recipient and creator of public history. With a multinational author team, the book is based on various national, but also i...
Zjazd Polskiej Zjednoczonej Partii Robotniczej
Vols. include the party's statute.
