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You Had to Be There
Operating at the crossroads of memoir, academia, and literature, You Had to Be There offers a fresh, hopeful perspective on the seemingly hopeless subject of climate grief. Over the course of eleven essays, interrogations, and reflections, the author invites readers to examine the ways in which the media influences our reaction to the events befalling us, not only in how we feel, but in how we behave in the face of such overwhelming circumstances. From TED Talks to Camus, from My Octopus Teacher to the New York Times, Jess Bugg examines what the culture is serving us about climate change; what we should be discarding and what we should be taking to heart. One of a vanishingly small number of graduates from RISD’s Nature, Culture, and Sustainability program the author has spent years considering the question of where to turn once you pass the tipping point and writes about the small acts that might keep us afloat even if they don’t promise to save us.
Presence and Absence: The Performing Body
This volume collects research and critical explorations of the performing body by scholars and practitioners in visual and performing arts, textile, fashion and experimental design research, scenography and costume design, dance and performance history. Authors examine performativity of the body, its materiality, immateriality, and virtuality, and investigate experiences of embodiment. They reenvision the body as a site for representation, exploring the absent body in performance and as performance through time and space. Contributors bring a broad variety of contemporary approaches, from live performance to mediated performance, from installation art to performance art, and from experimental fashion to theatre and dance. They discuss issues of process and meaning-making and practices from concept and interpretation to creative production and reception. The volume expands possibilities for the role of the body in performance, while also challenging roles and hierarchies of existing performance practice.
You Had to Be There
You Had to Be There is an unconventional, interdisciplinary reconsideration of established themes surrounding climate change. Alternating between the academic and the personal, Jess Bugg reaches a unique, and ultimately hopeful, conclusion. Operating at the crossroads of memoir, academia, and literature, You Had to Be There offers a fresh, hopeful perspective on the seemingly hopeless subject of climate grief. Over the course of eleven essays, interrogations, and reflections, the author invites readers to examine the ways in which the media influences our reaction to the events befalling us, not only in how we feel but also in how we behave in the face of such overwhelming circumstances. Fro...
Designing for the 21st Century
As we become familiar with the 21st century we can see that what we are designing is changing, new technologies support the creation of new forms of product and service, and new pressures on business and society demand the design of solutions to increasingly complex problems, sometimes local, often global in nature. Customers, users and stakeholders are no longer passive recipients of design, expectations are higher, and increased participation is often essential. This book explores these issues through the work of 21 research teams. Over a twelve-month period each of these groups held a series of workshops and events to examine different facets of future design activity as part of the UK's research council supported Designing for the 21st Century Research Initiative. Each of these 21 contributions describes the context of enquiry, the journey taken by the research team and key insights generated through discourse. Editor and Initiative Director, Tom Inns, provides an introductory chapter that suggests ways that the reader might navigate these different viewpoints.
Activating the Inanimate: Visual Vocabularies of Performance Practice
The range and scope of subjects is reflective of the diverse vantage points that such an eclectic group of practitioners bring to a discussion, within the visual aspects of performance practice.
Borderless Fashion Practice
Twenty-first century fashion practice has become increasingly borderless and diverse in the digital era, calling into question the very boundaries that define fashion in the Western cultural context. Borderless Fashion Practice: Contemporary Fashion in the Metamodern Age principally engages the work of four fashion designers -- Virgil Abloh, Aitor Throup, Iris Van Herpen, and Eckhaus Latta -- whose work intersects with other creative disciplines such as art, technology, science, architecture, and graphic design. They do their work in what Vanessa Gerrie calls the metamodern age -- the time and place where the polarization between the modern and the postmodern collapses. Used as a framework to understand the current Western cultural zeitgeist, Gerrie's exploration of the work of contemporary practitioners and theorists finds blurred borders and seeks to blur them further, to the point of erasure.
Performance Costume
Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent years on research in the area of costume has connected this practice in vital and new ways with theories of the body and embodiment, design practices, artistic and other forms of collaboration. Costume, like fashion and dress, is now viewed as an area of dynamic social significance and not simply as passive reflector of a pre-conceived social state or practice. This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival re...
The End of Fashion
Attitudes to fashion have changed radically in the twenty-first century. Dress is increasingly approached as a means of self-expression, rather than as a signifier of status or profession, and designers are increasingly treated as 'artists', as fashion moves towards art and enters the gallery, museum, and retail space. This book is the first to fully explore the causes and implications of this shift, examining the impact of technological innovation, globalization, and the growth of the internet. The End of Fashion focuses on the ways in which our understanding of fashion and the fashion system have transformed as mass mediation and digitization continue to broaden the way that contemporary f...
Rethinking Fashion Globalization
"The first edited volume to present decolonial critiques of fashion and globalization and explore the dynamics of 'de-globalization' to propose more diverse fashion definitions, practices and aesthetics"--
Fashion Design for Living
Fashion Design for Living explores the positive contribution that the contemporary fashion designer can make within society. The book seeks to reveal new ways of designing and making fashion garments and products that not only enhance and enrich our lives, but also are mindful of social and sustainable issues. This book sets out to question and challenge the dominant, conventional process of fashion design that as a practice has been under-researched. While the fashion designer in industry is primarily concerned with the creation of the new seasonal collection, designed, produced and measured by economically driven factors, society increasingly expects the designer to make a positive contrib...
