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What happens when textiles cross international borders? What effect did colonialism have on textile art around the world?
Addressing textiles as a distinctive area of cultural practice and field of scholarly research, The Textile Reader introduces students to the key issues essential to the exploration of the textile from both a critical and a creative perspective. The second edition brings together lectures, catalogue essays, academic articles, fiction and poetry, as well as several articles available in English translation for the first time, to capture the diversity of voices informing textile studies today. Content is organized around the themes of touch, memory, structure, politics, and production plus a new section exploring the role of community. With 22 new contributors, this revised edition includes selected work from Maria Fusco, Ursula le Guin, Elaine Igoe, Faith Ringgold, and T'ai Smith. Extended introductions and annotated suggestions for further reading by the editor Jessica Hemmings make the second edition an invaluable resource to students of textiles, craft and material culture.
Technologized textiles and sustainable fabrics are among the most innovative designed today, and together they are driving the rest of the industry dramatically forward. Many designers are now integrating hi-tech fabrics, such as protective and impact-resistant textiles, or cellulose fabrics with groundbreaking results. Embracing new processes such as biomimicry, they bridge the gap between art, design, technology and sustainability. This book showcases new work from over 35 of today’s most forward-thinking textile designers, featuring surface designs, highly-structured textures and striking silhouettes. Each will be presented through inspirational text and striking visual spreads to include design sketches, work-in-progress photographs and digital drawings alongside images of cutting-edge furniture, interior textiles and fashion. This book shows how the development of fabrics today is immersed in technology, sustainability and innovation. It is an essential resource for anyone interested in contemporary textile design.
Designers and brands featured include Duro Olowu, Black Coffee, Maki Oh, and Christie Brown.
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Textile Designers at the Cutting Edge showcases a selection of textile designs from all over the world, presented in feature interviews with the world's most visionary young designers. Chosen for their contributions to fashion textiles and interior fabrics, the designers describe their output and inspirations in their own words. Whether speaking from style capitals, such as London, Paris, Milan, Madrid, Berlin, Tokyo, and New York, or in less-trafficked cities, today's most forward-thinking textile designers showcase exciting work that signals newdirections in textile practice and the emergence of new textile forms and fiber technologies. The book not only features images of completed designs, but also previously unseen archive material, such as work-in-progress photographs and digital drawings. These unique visuals create a stylish picture of today's textiles, as well as an essential reference guide for those interested in contemporary textile design.
The authors have selected 24 makers and 5 essayists who work within different media and have different methodologies to provide a microcosm of the crafting community. This book features photographs of the makers, their work environment, their process, their work, and discussions of how they got their start.
Today when we hear the word “craft,” a whole host of things come immediately to mind: microbreweries, artisanal cheeses, and an array of handmade objects. Craft has become so overused, that it can grate on our ears as pretentious and strain our credulity. But its overuse also reveals just how compelling craft has become in modern life. In The Shape of Craft, Ezra Shales explores some of the key questions of craft: who makes it, what do we mean when we think about a crafted object, where and when crafted objects are made, and what this all means to our understanding of craft. He argues that, beyond the clichés, craft still adds texture to sterile modern homes and it provides many people with a livelihood, not just a hobby. Along the way, Shales upends our definition of what is handcrafted or authentic, revealing the contradictions in our expectations of craft. Craft is—and isn’t—what we think.
This beautiful and accessible book will deepen the understanding of anyone who loves textiles. It explores woven textiles thematically, through the work of contemporary artists and designers. Some make their art from unwoven threads, the raw material of which textiles are born. Others use digital technology so that elements of light, sound, and even motion are literally woven in the fabric. An excellent resource for everyone with an interest in contemporary woven textiles, this book features work by the following international selection of artists and designers: Gabriel Dawe, Ball-Nogues Studio, Susie MacMurray, Laura Thomas, Sue Lawty, Lauren Moriarty, Elana Herzog, Tamar Frank, Marianne Ke...
A collection of stories told in different mediums by female writers, artists, and activists on what style and fashion mean in their lives. Women in Clothes muses on a quotidian act, in an elevated imitation of the conversation one might have among friends. The editors gathered questions for a variety of women in an effort to gauge how we think about the ways we adorn ourselves. Whether we wear something to reflect a mood, uphold a value, or aspire to be another self, the contents of Women in Clothes show that this shared cultural practice is in turns fun, surprising, and wonderful. Through conversations with a variety of women, across ages, locations, careers, cultures, and more, these insights transmute in a fitting variety of form: photographs, testimonies, confessions, and drawings. Women in Clothes is chic but also philosophical—perfect for readers, artists, and people everywhere.