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Remapping China
These stimulating essays address such topics as histories of public health, emotional life, law, and sexuality, notions of borders and frontiers, the relationship between native place identities and nationalism, the May Fourth Movement, and the periodization of the Chinese revolution.
Inheritance within Rupture
In Inheritance within Rupture, Luo Zhitian brings together ten essays to explore the themes of change and continuity, rupture and inheritance from the late Qing through the early Republic (1890s-1940s). Rejecting binaries such as tradition/modernity, conservative/liberal, Luo blurs the divisions between intellectual opponents and clarifies the divergences between scholarly friends. Centering these discussions around some of the most famous intellectual debates in the modern period, Luo challenges our understanding of ideological positions, political affiliation, and scholarly identity in early twentieth-century China. By focusing on the influence of cultural inheritance within the rupture of modernity, we come to understand those concerns shared by all Chinese in their own times and in the present.
Inventing China through History
A critical examination of the rise of national history in early-twentieth-century China.
World History and National Identity in China
Focuses on individual lived experiences to trace the development of world-historical studies in China's long twentieth century.
Picturing Heaven in Early China
Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven—as the mandate, the fantasy, and the sky—into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggest...
Gu shi bian
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The Challenge of Linear Time
The papers collected in this volume congeal around a debate about the ways and extent of the dominance of linear time and progressive history and the concomitant delineation of the nation in Chinese and Japanese historiography. As China and Japan entered the global capitalist system of nation states, the Chinese and Japanese regimes implemented a number of reforms, which resulted in transformations that affected everyday experience. In the face of imperialism and the perceived threat of being split up, the Meiji and late Qing governments radically reoriented policies in order to become wealthy and powerful in the global arena. People not only began to experience time and space in new ways, b...
What Is China?
Ge Zhaoguang addresses sensitive questions of identity that shape the politics of the world's most populous country. This insider's account teases out nuances of China's encounter with the contemporary world, using its past to explain its present and to provide insight into paths the nation might follow as the current century unfolds.
Social Suffering
"Social Suffering" takes in the human consequences of war, famine, depression, disease and torture, problems that result from what political, economic and institutional power does to people. Experts have joined together to investigate the cultural representations of.
Writing Early China
Archaeological discoveries over the past one hundred years have resulted in repeated calls to "rewrite ancient Chinese history." This is especially true of documents written on oracle bones, bronze vessels, and bamboo strips. In Writing Early China, Edward L. Shaughnessy surveys all of these types of documents and considers what they reveal about the creation and transmission of knowledge in ancient China. Opposed to the common view that most knowledge was transmitted orally in ancient China, Shaughnessy demonstrates that by no later than the tenth century BCE scribes were writing lengthy texts like portions of the Chinese classics, and that by the fourth century BCE the primary mode of textual transmission was by way of visual copying from one manuscript to another.
