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Contact Zones
Since the mid-nineteenth century photography has played a central role in cultural encounters within and between migrant communities in the United States. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘contact zones’ through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography’s role in shaping migrant experiences of cultural transformation, and how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.
In the Shadow of the Pole
In the Shadow of the Pole explains how the Arctic came to be part of Canada. In the Shadow of the Pole tells the history of how the Arctic became part of Canada and how the Dominion government established jurisdiction there. It describes the early expeditions to Canada’s North, including the little-known Dominion government expeditions to the Subarctic and Arctic carried out between 1884 and 1912. The men on these expeditions conducted scientific research, meteorological studies, geological explorations, and hydrographic surveys. They informed the people they met there of Canada’s jurisdiction in the region and raised the flag from Hudson Bay to Ellesmere Island. These men endured as much hardship and adventure as Peary, Nansen, Amundsen, and other famous polar explorers, yet their expeditions were not widely publicized, and they received no glory for their efforts. This book delves into the story of the remarkable Canadian men who led these expeditions.
Arctic Artist
Back's journal is particularly valuable because it is the only one that records the entire expedition; Franklin himself relied on it for his own published account of the journey. Both the journal and Back's earlier notes have been edited by Houston, who provides an introduction and extensive annotations, as well as synopses of the frank comments regarding the expedition recorded in the various journals of the Hudson's Bay fur trade posts. I.S. MacLaren's commentary on Back's paintings reveals a midshipman-artist of exceptional talent. Conversant with the artistic conventions and aesthetic temper of his age, Back used his sketch-books not only to depict the expedition's progress but also to capture his imaginative response to the northern wilderness. MacLaren edits and comments on two other documents written by Back during the expedition: a candid letter to his brother and a poem dramatizing the disaster that claimed the lives of eleven of the twenty explorers in Franklin's party. Arctic Artist will be of interest to Franklin and Arctic enthusiasts, and to Canadian studies, northern studies, art history, and anthropology specialists.
Posted to Canada
Posted to Canada examines, for the first time, the immense body of work created by George Dartnell, a British army surgeon stationed in Canada from 1835 to 1844. Dartnell, an accomplished and popular surgeon, sketched more than 150 scenes of a pristine Canada of dense forests, clear lakes and rough-edged beauty during his nine-year posting – all of which form an important part of Canada’s pre-photographic visual history. In this, the first book on Dartnell, his vibrant depictions of rural Quebec and Ontario, Montreal, Quebec City, Penetanguishene, London, and Port Talbot are examined in great detail. Dartnell’s work offers rare and insightful glimpses of both the life of a surgeon in the early nineteenth century and the fledgling communities in which he served. among the rare scenes portrayed by Dartnell lare the first known depictions of St. Marys, Ontario, and maple-sugaring near Penetanguishene. Of the dozens of sketches reproduced in the book, many have been culled from private collections and never before displayed publicly.
No Innocent Deposits
The public increase of interest in the past has not necessarily brought with it a greater understanding about how archives are formed. To this end, Richard Cox takes a serious look at archival repositories and collections. Cox suggests that archives do not just happen, but are consciously shaped (and sometimes distorted) by archivists, the creators of records, and other individuals and institutions. In this series of essays, Cox offers archivists rare insight into the fundamentals of appraisal, and historians and other users of archives the opportunity to appreciate the collections they all too often take for granted.
Anthropological Resources
This work provides access to information on the rich and often little known legacy of anthropological scholarship preserved in a diversity of archives, libraries and museums. Selected anthropological manuscripts, papers, fieldnotes, site reports, photographs and sound recordings in more than 150 repositories are described. Coverage of resources in North American repositories is extensive while Great Britain, France, the Netherlands, Australia and certain other countries are more selectively represented. Entries are arranged by repository location and most contributors draw upon a special knowledge of the resources described. Contributors include James R. Glenn (National Anthropological Archi...
Northern Exposures
To many, the North is a familiar but inaccessible place. Yet images of the region are within easy reach, in magazine racks, on our coffee tables, and on television, computer, and movie screens. In Northern Exposures, Peter Geller uncovers the history behind these popular conceptions of the Canadian North.
No Place to Run
Historians of the First World War have often dismissed the important role of poison gas in the battles of the Western Front. Tim Cook shows that the serious threat of gas did not disappear with the introduction of gas masks. By 1918, gas shells were used by all armies to deluge the battlefield, and those not instructed with a sound anti-gas doctrine left themselves exposed to this new chemical plague.This book provides a challenging re-examination of the function of gas warfare in the First World War, including its important role in delivering victory in the campaign of 1918 and its curious postwar legacy.
A Sisterhood of Suffering and Service
As the body of First World War literature continues to grow, women’s experiences of this period remain largely obscure.This innovative collection addresses the invisibility of women in this literature, particularly with regard to Canadian and Newfoundland history. Drawing upon a multidisciplinary spectrum of recent work – studies on mobilizing women, paid and volunteer employment at home and overseas, grief, childhood, family life, and literary representations ?– this book brings Canadian and Newfoundland women and girls into the history of the First World War and marks their place in the narrative of national transformation.
Becoming Native in a Foreign Land
How did British colonists in Victorian Montreal come to think of themselves as “native Canadian”? This incisive, richly illustrated work reveals that colonists adopted Aboriginal and French Canadian activities – hunting, lacrosse, snowshoeing, and tobogganing – and appropriated them while imposing British ideologies of order, discipline, and fair play. In the process, they constructed visual icons that were recognized at home and abroad as distinctly “Canadian” national symbols. The new Canadian nationality mimicked indigenous characteristics but ultimately rejected indigenous players, instead championing the interests of white, middle-class, Protestant males who used their newly acquired identity to dominate the political realm. Becoming Native in a Foreign Land demonstrates that English Canadian identity was not formed solely by emulating what was British. In fact, it gained enormous ground by usurping what was indigenous in the fertile landscape of a foreign land. A vital and original study, it will appeal to scholars and enthusiasts of Canadian history, identity, and culture.
