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Considers organized crime's alleged attempts to "fix" championship middleweight fights.
Henry Cooper is best remembered for the night he nearly changed boxing history - 19 July 1963. Fighting an up-and-coming boxer by the name of Cassius Clay, later to become Muhammad Ali, his famous left hook (known as 'Henry's Hammer') sent Clay crashing onto the canvas. Arguable Britain's greatest ever heavyweight fighter, Cooper won 40 of his 55 professional bouts, beating most of the true boxing greats along the way. His story is littered with famous names - Rocky Marciano, Floyd Patterson, Sonny Liston, Joe Louis, Sugar Ray Robinson, and, of course, Ali. But Cooper's retirement from the sport did not spell then end of his time in the public eye, as he embarked on a successful media career. Disaster struck in the 1990s, however, when his innocent involvement in a scandal surrouding insuracne giants Lloyds of London led to him having to sell his unique collection of three Lonsdale belts topay his bills. He was knighted in the millennium New Year's honours list for his services to boxing, and his death in May 2011 sparkd a huge outpouring of tributes from the sporting community. This is the biography of an intriguing character, a great fighter and a true sporting legend.
The story of New York in the Fifties—of Rat Pack cool and the fading of the Mob's glamour—brilliantly told through the prism of Madison Square Garden. New York in the Fifties was the most interesting and most vibrant city in the world. New York gave the world a couple of other things too: one bloody and brutal but the king of sports, the other simply bloody and brutal. The Fifties were boxing’s last real heyday. Never again would the sport be so glamorous or so popular. And that’s where New York’s other gift to the world—the Mob—came in. Gangsters have been around for boxing’s entire history, but this time it was special. Most of the decade’s major fights took place at boxing’s spiritual home, Madison Square Garden, and most of the deals that made or ruined the lives of the era’s many fine fighters were done on a famous strip of pavement across the road from the Garden: Jacobs Beach. And the man ruling that strip of pavement was a charming Italian murderer called Frankie Carbo.
While scouting sites for geology field trips, poet and naturalist John Lane encountered deep gullies created between the Civil War and the 1930s contributed to by his mother’s tenant farming family and their rural neighbors in Piedmont South Carolina. This brush with the poor farming practices of the past leads Lane into an exploration of his own family’s complicated history and of the larger environmental forces that have shaped the region where he chooses to live. With his sister as guide, Lane descends into the gully of his own childhood to uncover memories of a loving but alcoholic mother and a suicidal father. Back and forth, the narrative progresses from depictions of the land—pa...
Covering Mike Tyson's rise through the amateur and professional boxing ranks, this book follows the Brooklyn native from his early years as a young criminal in Brownsville to his 1988 heavyweight unification match with Michael Spinks. The book focuses on the Catskill Boxing Club--where boxing guru Cus D'Amato trained the 210-pound teenager in the finer points of the sport and developed his impregnable defense--and on his home life with D'Amato and surrogate mother Camille Ewald and the other young fighters who lived with them. Tyson's boxing education began in the unauthorized "smokers" held every week in the Bronx, matching his skills against older, more experienced fighters. He won the 1981 Amateur Heavyweight Boxing Championship in Colorado Springs at the age of 14 and repeated the amazing feat the following year. By 1985, finding no other challenging amateur competition, he was forced to join the professional ranks where, in November 1986, he became the youngest heavyweight champion in boxing history. Less than two years later, he unified the crown, establishing himself as one of the most dominant heavyweight fighters the sport had ever seen.
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.