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Illuminating Letters
What do we read when we read a text? The author's words, of course, but is that all? The prevailing publishing ethic has insisted that typography?the selection and arrangement of type and other visual elements on a page?should be an invisible, silent, and deferential servant to the text it conveys. This book contests that conventional point of view. Looking at texts ranging from the King James Bible to contemporary comic strips, the contributors to Illuminating Letters examine the seldom considered but richly revealing relationships between a text's typography and its literary interpretation. The essays assume no previous typographic knowledge or expertise; instead they invite readers primar...
The History and Adventures of an Atom
In the novel, a London haberdasher relates extraordinary tales of ancient Japan as dictated to him by an omniscient atom that has lived within the bodies of great figures of state. This edition is the first to appear since 1926 and provides a carefully prepared text, historical annotations, and an accurate key to personages and places.
The Adventures of Telemachus, the Son of Ulysses
The first critical edition of Smollett's 1776 translation of Bishop Fénelon's 1699 "Mirror of Princes," one of the most popular and revered works of the eighteenth century, written especially for Duc de Burgogne, heir presumptive to Louis XIV, and meant to teach him the proper way to rule.
Paper, Ink, and Achievement
During his forty-two years as president of AMS Press, Gabriel Hornstein quietly sponsored and stimulated the revival of “long” eighteenth-century studies. Whether by reanimating long-running research publications; by creating scholarly journals; or by converting daring ideas into lauded books, “Gabe” initiated a golden age of Enlightenment scholarship. This understated publishing magnate created a global audience for a research specialty that many scholars dismissed as antiquarianism. Paper, Ink, and Achievement finds in the career of this impresario a vantage point on the modern study of the Enlightenment. An introduction discusses Hornstein’s life and achievements, revealing the ...
The Recess
First published in an era when most novels about young women concentrated on courtship and ended with marriage, The Recess daringly portrays women involved in political intrigues, overseas journeys, and even warfare. The novel is set during the reign of Elizabeth I and features as narrators twin daughters of Mary, Queen of Scots, by a secret marriage. One of the earliest Gothic novels, The Recess pioneered the genre of historical fiction. The novel was also one of the first to describe characters and events from conflicting points of view and was wildly popular in its day.
The Adventures of Ferdinand Count Fathom
First published in 1753, this experimental work explores the relations between history and fiction while introducing episodes of Gothic melodrama. Filled with satiric thrusts at the legal, medical, and military establishments of mid-eighteenth-century Europe, the novel reveals Smollett's capacities as a commentator on contemporary life.
Poems, Plays, and "The Briton"
The poems, plays, and political writings in this volume are essential to an understanding of Smollett and the literary and social currents of eighteenth-century England. In his introductions to the sections, Gassman traces the history of their publication and reception, and provides extensive explanations of historical and literary allusions.
The Recess, Or, A Tale of Other Times
First published in an era when most novels about young women concentrated on courtship and ended with marriage, The Recess daringly portrays women involved in political intrigues, overseas journeys, and even warfare. The novel is set during the reign of Elizabeth I and features as narrators twin daughters of Mary, Queen of Scots, by a secret marriage. One of the earliest Gothic novels, The Recess pioneered the genre of historical fiction. The novel was also one of the first to describe characters and events from conflicting points of view and was wildly popular in its day.
The Work(s) of Samuel Richardson
Samuel Richardson emerges in Fysh's analysis as a man on the cusp of change - in the organization of the printing industry and of labor generally, and in the nature of the literary text - and his work as a printer as well as his literary works (the two being fundamentally inseparable) come to be seen as instrumental in and representative of these changes.
