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Race and music seem fatally entwined in a way that involves both creative ethnic hybridity and ongoing problems of racism. This book presents a sociological analysis of this enduring relationship and asks: how are ideas of race critical to the understanding of music genres and preferences? What does the 'love of difference' via music contribute to contemporary perspectives of racism? Previous studies of world music have situated it within the dynamics of local/global musical production, the representation of nations and ethnic groups, theories of globalization, hybridization and cultural appropriation. Haynes adds a conceptual and textual shift to these debates by utilizing world music as a lens for examining cultural imaginaries of race and analytical nuances of racialization. The text offers a view of world music from 'within,' building on original, qualitative, interview-based research with people from the British world music scene. These interviews provide unique insights into the discursive repertoires that underpin contemporary culture, and will make a significant contribution to the mainly theoretical debates about world music.
Famous as an actor with the King’s Company in London during the Restoration, Cardell Goodman epitomized one of the most colorful ages in English history. Goodman was admitted to St. John’s College, Cambridge at age 13, and, upon graduation, became an actor in the King’s Company. To supplement his meager acting income, he took up highway robbery and was captured then pardoned by King Charles. About 1684, he became the lover of Barbara, Duchess of Cleveland, former mistress of King Charles, and spent the next ten years living in luxury as her Master of the Horse, occasionally accepting acting roles. In 1696 he became entangled in the Jacobite conspiracy and fled to France. He returned to a remote part of England after the Peace of Ryswick in 1697, and spent the last years of his turbulent, exciting, dangerous life in genteel poverty. John Harold Wilson tells Goodman’s remarkable life story with documentation, grace, and wit, using it to illustrate the violence, intrigue, lawlessness, moral laxity, and brilliance of the era’s revolt against Puritan sobriety and dullness.
A unique comparative account of the roots of Communist revolution in Russia and China. Steve Smith examines the changing social identities of peasants who settled in St Petersburg from the 1880s to 1917 and in Shanghai from the 1900s to the 1940s. Russia and China, though very different societies, were both dynastic empires with backward agrarian economies that suddenly experienced the impact of capitalist modernity. This book argues that far more happened to these migrants than simply being transformed from peasants into workers. It explores the migrants' identification with their native homes; how they acquired new understandings of themselves as individuals and new gender and national identities. It asks how these identity transformations fed into the wider political, social and cultural processes that culminated in the revolutionary crises in Russia and China, and how the Communist regimes that emerged viewed these transformations in the working classes they claimed to represent.