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William S. Burroughs Cutting Up the Century
  • Language: en
  • Pages: 457

William S. Burroughs Cutting Up the Century

This definitive book on Burroughs’ decades-long cut-up project and its relevance to the American twentieth century, including previously unpublished works. William S. Burroughs’s Nova Trilogy (The Soft Machine, Nova Express, and The Ticket That Exploded) remains the best-known of his textual cut-up creations, but he committed more than a decade of his life to searching out multimedia for use in works of collage. By cutting up, folding in, and splicing together newspapers, magazines, letters, book reviews, classical literature, audio recordings, photographs, and films, Burroughs created an eclectic and wide-ranging countercultural archive. This collection includes previously unpublished w...

Cutting Edge
  • Language: en
  • Pages: 296

Cutting Edge

Even before Jean-Luc Godard and other members of the French New Wave championed Hollywood B movies, aesthetes and cineasts relished the raw emotions of genre films. This contradiction has been particularly true of horror cinema, in which the same images and themes found in exploitation and splatter movies are also found in avant-garde and experimental films, blurring boundaries of taste and calling into question traditional distinctions between high and low culture. In Cutting Edge, Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror's subversiveness as a genre. In her treatment of what she ter...

Downtown Film and TV Culture 1975-2001
  • Language: en

Downtown Film and TV Culture 1975-2001

Downtown Film and TV Culture, 1975-2001 brings together essays by filmmakers, exhibitors, cultural critics, and scholars from multiple generations of the New York Downtown scene to illuminate individual films and filmmakers and explore the creation of a Downtown Canon, the impact of AIDS on younger filmmakers, community access cable television broadcasts, and the impact of the historic downtown scene on contemporary experimental culture. The book includes J. Hoberman's essay "No Wavelength: The Parapunk Underground," as well as historical essays by Tony Conrad and Lynne Tillman, interviews with filmmakers Bette Gordon and Beth B., and essays by Ivan Kral and Nick Zedd.

EBOOK: Supervision in the Helping Professions
  • Language: en
  • Pages: 306

EBOOK: Supervision in the Helping Professions

"Supervision in the Helping Professions remains a core text in our trainings and we welcome the updates, including the increased focus on ethics and diversity, the discussion of e-enabled modes of supervision and the review of research. What is so encouraging to students, trainers and practitioners is the 'beginner's mind' with which the authors continue to approach the subject, their tireless enthusiasm for enquiry, and their commitment to the learning edge. The launch of this edition coincides with the launch of the first UKCP Professional Register for Supervisors. The authors have done much to promote the development of supervision, and all future professional trainings in supervision wil...

The Family Of Brice and Cathy Alvord
  • Language: en
  • Pages: 445

The Family Of Brice and Cathy Alvord

  • Type: Book
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  • Published: 2012-01-19
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  • Publisher: Lulu.com

This book is history of 47 generations of our family. Complete with pedigree trees and individual data.

Freakery
  • Language: en
  • Pages: 426

Freakery

  • Type: Book
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  • Published: 1996-10
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  • Publisher: NYU Press

A groundbreaking anthology that probes the disposition towards the visually different Giants. Midgets. Tribal non-Westerners. The very fat. The very thin. Hermaphrodites. Conjoined twins. The disabled. The very hirsute. In American history, all have shared the platform equally, as freaks, human oddities, their only commonality their assigned role of anomalous other to the gathered throngs. For the price of a ticket, freak shows offered spectators an icon of bodily otherness whose difference from them secured their own membership in a common American identity--by comparison ordinary, tractable, normal. Rosemarie Thomson's groundbreaking anthology probes America's disposition toward the visual...

The Cult Film Reader
  • Language: en
  • Pages: 577

The Cult Film Reader

"An invaluable collection for anyone researching or teaching cult cinema ... The Cult Film Reader is an authoritative text that should be of value to any student or researcher interested in challenging and transgressive cinema that pushes the boundaries of conventional cinema and film studies." Science Fiction Film and Television "A really impressive and comprehensive collection of the key writings in the field. The editors have done a terrific job in drawing together the various traditions and providing a clear sense of this rich and rewarding scholarly terrain. This collection is as wild and diverse as the films that it covers. Fascinating." Mark Jancovich, Professor of Film and Television...

Rematch
  • Language: en
  • Pages: 196

Rematch

  • Type: Book
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  • Published: 2021-07-02
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  • Publisher: Unknown

Sylvia Stride is keen to succeed in the downtown Manhattan law firm where she works, and has been assigned to a crucial sex discrimination case. Her career ambitions are tested however, when she uncovers clear proof of the firm's old-guard sexism. Should she renege on her feminist principles by concealing the evidence and forging forward with her career? The dilemma is complicated by her passionate involvement with Han, her superior tasked with the case. Both scarred by arduous family backgrounds, their dysfunctional affair not only challenges Sylvia's professional integrity, but undermines her complex sexuality and risks unravelling the very fabric of her wellbeing.

All Around Monstrous: Monster Media in Their Historical Contexts
  • Language: en
  • Pages: 298

All Around Monstrous: Monster Media in Their Historical Contexts

  • Type: Book
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  • Published: 2019-10-31
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  • Publisher: Vernon Press

We know all kinds of monsters. Vampires who suck human blood, werewolves who harass tourists in London or Paris, zombies who long to feast on our brains, or Godzilla, who is famous in and outside of Japan for destroying whole cities at once. Regardless of their monstrosity, all of these creatures are figments of the human mind and as real as they may seem, monsters are and always have been constructed by human beings. In other words, they are imagined. How they are imagined, however, depends on many different aspects and changes throughout history. The present volume provides an insight into the construction of monstrosity in different kinds of media, including literature, film, and TV series. It will show how and by whom monsters are really created, how time changes the perception of monsters and what characterizes specific monstrosities in their specific historical contexts. The book will provide valuable insights for scholars in different fields, whose interest focuses on either media studies or history.