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Mark Morris
Mark Morris emerged in the 1980s as America's most exciting young choreographer. Two decades later, his position remains unchallenged. Morris was born in Seattle in 1956. His Mark Morris Dance Group began performing in New York in 1980. By the mid-eighties, PBS had aired an hour-long special on him, and his work was being presented by America's foremost ballet companies. Morris's dances are a mix of traditionalism and radicalism. They unabashedly address the great themes--love, grief, loneliness, religion, community--yet they are also lighthearted, irreverent, and scabrous. Joan Acocella's probing portrait is the first book on this brilliant and controversial artist. Written with Morris's cooperation, it describes how he has lived and how he turns life--and music and narrative--into dance. Including 78 photographs, Mark Morris provides an ideal introduction to the life and work of one of America's leading artists.
Creating Hysteria
Asked to search within themselves for hidden personalities, they came up with entire squadrons: children, harlots, angels, devils."--BOOK JACKET. "This book describes how a group of reckless therapists used hypnosis, drugs, and sheer persuasion to mold their patients' symptoms into multiple personality disorder."--BOOK JACKET.
Willa Cather and the Politics of Criticism
Defending Willa Cather against historical and critical distortions, the author argues that Cather's central vision was a tragic vision of the human condition rather than a firm political agenda.
Baryshnikov
The only collection of photographs documenting the last three decades of Mikhail Baryshnikov's brilliant career. Universally acknowledged as the most celebrated artist in the dance world (Time magazine proclaimed him 'the greatest living dancer') Mikhail Baryshnikov's defection from the Soviet Union in 1974, at the age of twenty-six, breathed new artistic freedom into an already astonishing career. Working with American Ballet Theatre (where he was Artistic Director for ten years), the New York City Ballet (with George Ballanchine), and finally forming his own company in 1990 with Mark Morris, White Oak Dance Project, Baryshnikov has, over these past decades, changed the face of dance. Barys...
The Portrait of an Artist as a Pathographer: On Writing Illnesses and Illnesses in Writing
Focusing on the various intersections between illness and literature across time and space, The Portrait of an Artist as a Pathographer seeks to understand how ontological, phenomenological and epistemological experiences of illness have been dealt with and represented in literary writings and literary studies. In this volume, scholars from across the world have come together to understand how the pathological condition of being ill (the sufferers), as well as the pathologists dealing with the ill (the healers and caregivers), have shaped literary works. The language of medical science, with its jargon, and the language of the every day, with its emphasis on utility, prove equally insufficie...
A Place for the Arts
The in-depth story of America's premier artists' residency program, published on its centennial anniversary.
Reinventing Dance in the 1960s
The 1960s was a pivotal decade in dance, an era of intense experimentation and rich invention. In this volume an impressive range of dance critics and scholars examine the pioneering choreographers and companies of the era, such as Anna Halprin’s West Coast experiments, the innovative Judson Dance Theater, avant-garde dance subcultures in New York, the work of Meredith Monk and Kenneth King, and parallel movements in Britain. The contributors include Janice Ross, Leslie Satin, Noël Carroll, Gus Solomons jr., Deborah Jowitt, Stephanie Jordan, Joan Acocella, and Sally Banes.
Modernism on Stage
Modernism on Stage restores Serge Diaghilev?s Ballets Russes to its central role in the Parisian art world of the 1910s and 1920s. During those years, the Ballets Russes? stage served as a dynamic forum for the interaction of artistic genres - dance, music and painting - in a mixed-media form inspired by Richard Wagner?s Gesamtkunstwerk (total work of art). This interdisciplinary study combines a broad history of Diaghilev?s troupe with close readings of four ballets designed by canonical modernist artists: Pablo Picasso, Sonia Delaunay, Henri Matisse, and Giorgio de Chirico. Experimental both in concept and form, these productions redefine our understanding of the interconnected worlds of t...
Current Catalog
First multi-year cumulation covers six years: 1965-70.
