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A drowned man. A missing teenager. A deadly secret. When Emmy Leach discovers the body of a drug addict, wrapped in a tent and submerged in the icy waters of a Cumbrian tarn, she causes more than one problem for investigating officer DCI Jude Satterthwaite. Not only does the discovery revive his first, unsolved, case, but the case reveals Emmy's complicated past and opens old wounds on the personal front, regarding Jude's relationship with his colleague and former partner, Ashleigh O'Halloran. As Jude and his team unpick an old story, it becomes increasingly clear that Emmy is in danger. What secrets are she and her controlling, coercive husband hiding, from the police and from each other? What connection does the dead man have with a recently-busted network of drug dealers? And, as the net closes in on the killer, can Jude and Ashleigh solve a murder - and prevent another? A traditional British detective novel set in Cumbria
Inspired by Deborah Howard’s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays here examine the connections and rapports between art and identity through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond.
-TESOL standards for students and teachers are outlined in the first chapter and aligned with the content of the book.
In 1956, one year before federal troops escorted the Little Rock 9 into Central High School, fourteen year old Jo Ann Allen was one of twelve African-American students who broke the color barrier and integrated Clinton High School in Tennessee. At first things went smoothly for the Clinton 12, but then outside agitators interfered, pitting the townspeople against one another. Uneasiness turned into anger, and even the Clinton Twelve themselves wondered if the easier thing to do would be to go back to their old school. Jo Ann--clear-eyed, practical, tolerant, and popular among both black and white students---found herself called on as the spokesperson of the group. But what about just being a regular teen? This is the heartbreaking and relatable story of her four months thrust into the national spotlight and as a trailblazer in history. Based on original research and interviews and featuring backmatter with archival materials and notes from the authors on the co-writing process.
Spectral and monstrous mothers populate the cultural and literary landscape of the eighteenth century, overturning scholarly assumptions about this being an era of ideal motherhood. Although credited with the rise of domesticity, eighteenth-century British culture singularly lacked narratives of good mothers, ostensibly the most domestic of females. With startling frequency, the best mother was absent, disembodied, voiceless, or dead. British culture told tales almost exclusively of wicked, surrogate, or spectral mothers—revealing the defects of domestic ideology, the cultural fascination with standards and deviance, and the desire to police maternal behaviors. Monstrous Motherhood analyze...
Born, raised, and retired in Mississippi, Lucy Somerville Howorth (1895–1997) was a champion for the rights of women long before feminism emerged as a widely recognized movement. As told by Dorothy S. Shawhan and Martha H. Swain, hers is a remarkable life story-from a small-town upbringing to a career as an attorney, an activist, and the last of a generation of New Deal women in Washington, D.C. She held a presidential appointment under every chief executive from Franklin Roosevelt to John Kennedy. Howorth was a fervent believer in the power of organizations to bring about change, and she became known for her leadership qualities, acumen, and quick appraisal of social problems, particularl...
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Similarly, almost all of these regimes provide generalized solutions that developing countries tend to denounce as ill-fitting.
As his letters attest, for nearly forty years Henry James enjoyed a warm and gratifying friendship with Britain's foremost soldier of the last quarter of the nineteenth century and his wife. The Wolseleys were notable figures. Lord Wolseley, the field marshal who became Britain's commander in chief of the British army, was a national hero. Both a bibliophile and an author, Wolseley was described by Henry James to his brother William as an "excellent example of the cultivated British soldier." Lady Wolseley was also well-read, as well as stylish, strong-willed, and shrewd, and in Henry's view, a delightful correspondent--in short, as the editor writes, "precisely the kind of woman James most ...