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In 1960, burgeoning actress and defiant dreamer Lena Spencer opened a small, grassroots coffeehouse in the quaint upstate New York town of Saratoga Springs. Within her then-husband’s plan to start the Caffè as a means for the couple to artistically flourish while “making enough money to retire in Europe” lay the seed of a more impactful cultural contribution that would change music history forever. It was a time in America when a coffeehouse could be something more—a focal point for a different sort of people, radical new ideas, and notably, emerging artists. Caffè Lena’s humble stage regularly welcomed musicians such as a young Bob Dylan in 1961, the singer/activist Bernice John...
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Despite almost universal renown among his contemporaries, Davis lives today not so much in his own work but through covers of his songs by Dylan, Jackson Browne, and many others, as well as in the untold number of students whose lives he influenced--many of whom continue to teach his techniques today. The first biography of Davis, Say No to the Devil restores the Rev's remarkable story. Drawing on extensive research and interviews with many of Davis's former students and others who knew him well, music journalist Ian Zack takes readers through Davis's difficult beginning as the blind son of sharecroppers in the Jim Crow South to his decision to become an ordained Baptist minister and his move to New York in the early 1940s, where he scraped out a living singing and preaching on street corners and in storefront churches in Harlem. There, he gained entry into a circle of musicians that included, among many others, Lead Belly, Woody Guthrie, and Dave Van Ronk.
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Volume 1 of Nothing but Love in God’s Water traced the music of protest spirituals from the Civil War to the American labor movement of the 1930s and 1940s, and on through the Montgomery bus boycott. This second volume continues the journey, chronicling the role this music played in energizing and sustaining those most heavily involved in the civil rights movement. Robert Darden, former gospel music editor for Billboard magazine and the founder of the Black Gospel Music Restoration Project at Baylor University, brings this vivid, vital story to life. He explains why black sacred music helped foster community within the civil rights movement and attract new adherents; shows how Martin Luthe...
A critical shift took place in contemporary American art in the late 1950s. Long dominated by Abstract Expressionism, the field took a new turn as two major alternatives appeared on the scene: Assemblage Art and Post-Painterly Abstraction. Together, these new styles redirected the course of American art. Circa 1958: Breaking Ground in American Art explores this decisive moment in art history by gathering--for the first time ever--62 works by 57 artists working during this brief but important period. Based on the exhibition of the same name organized by the Ackland Art Museum at The University of North Carolina at Chapel Hill, this volume presents essays on the artists and their work by exhibition curator and Art in America corresponding editor Roni Feinstein. With an introductory essay by Ackland Director Emily Kass, Circa 1958 features insight on groundbreaking, challenging, and significant works--some rarely before exhibited--by dozens of American artists that helped forge a new era in contemporary American art.
He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds – from the blues to Broadway ballad...
A must have travel and music guide to Bob Dylan's favourite New York city haunts. Bob Dylan in the Big Apple will take you on a journey that Dylan took through the streets of New York in the early 1960s, looking at the locations, including the less trodden Dylan trails, the characters he befriended as well as revealing stories that formed the backdrop to his life and work. We follow in his early footsteps into the Cafe Wha? as well as, more recently, the Beacon Theatre. Along the way we take in fighting on Elizabeth Street, the 'crummy' hotel, the tavern 'on the corner of Armageddon Street' and the Tuscarora Indian Reservation and more. We also take the Rolling Tyre Walk as well as the Talki...