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Jochen Schubert (Guitar)
  • Language: en

Jochen Schubert (Guitar)

  • Type: Book
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  • Published: Unknown
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  • Publisher: Unknown

None

Werke
  • Language: de
  • Pages: 827

Werke

  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

None

1947-1948
  • Language: de

1947-1948

  • Type: Book
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  • Published: 2003
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  • Publisher: Unknown

None

Werke
  • Language: de
  • Pages: 832

Werke

  • Type: Book
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  • Published: 2003
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  • Publisher: Unknown

None

Werke
  • Language: de
  • Pages: 783

Werke

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

None

Werke
  • Language: de
  • Pages: 952

Werke

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

None

Werke
  • Language: de

Werke

  • Type: Book
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  • Published: 2009
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  • Publisher: Unknown

None

Heinrich Böll and Ireland
  • Language: en
  • Pages: 215

Heinrich Böll and Ireland

Nobel Prize winning author Heinrich Böll’s Irisches Tagebuch (Irish Journal) which was first published in 1957, has been read by millions of German readers and has had an unsurpassed impact on the German image of Ireland. But there is much more to Heinrich Böll’s relationship with Ireland than the Irisches Tagebuch. In this new book, Böll scholar Gisela Holfter carefully charts Heinrich Böll’s personal and literary connections with Ireland and Irish literature from his reading Irish fairytales in early childhood, to establishing a second home on Achill Island and his and his wife Annemarie’s translations of numerous books by Irish authors such as Brendan Behan, J. M. Synge, G. B. Shaw, Flann O’Brien and Tomás O’Crohan. This book also examines the response in Ireland to Böll’s works, notably the controversy that ensued following the broadcast of his film Irland und seine Kinder (Children of Eire) in the 1960s. Heinrich Böll and Ireland offers new insights for students, academics and the general reader alike.

Representing the
  • Language: en
  • Pages: 276

Representing the "good German" in Literature and Culture After 1945

Essays analyzing postwar literary, cultural, and historical representations of "good Germans" during the Second World War and the Nazi period. In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans asevil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting...