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This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.
(Guitar Method). A comprehensive, easy-to-understand intermediate approach to jazz guitar playing techniques, helps develop an individual concept of improvising by learning scales and their basic chord forms and further develops improvisation skills through the use of practice patterns. Utilizes transcriptions along with several original pieces by Joe Pass.
Offers fingerstyle transcriptions of Joe's famed Virtuoso #3 recording, composed during Joe's 1978 European tour. These tunes are extensions of Joe's improvisational chord/melody style with prominent bass lines, soaring melodies, and rich chord voicings. This transcription is an exhilarating study into the language of jazz guitar as spoken by one of its most eloquent exponents. For the advanced guitarist; written in standard notation only. Songs include: Dissonance No.'s 1 & 2; Minor Detail; Nina's Blues; Ninths; and many more.
Music critics and performers alike have hailed Joe Pass as one of the finest jazz musicians to have ever lived. This book effectively combines five previously published books by Joe Pass in a single comprehensive volume including his insights on harmony, melody, and phrasing as well as transcriptions of recorded solos and Joe Pass/Herb Ellis duets. the transcribed solos are: Bay City Blues, Foxy Chick and a Cool Cat, Time In, Blues in G, Dante's Inferno, and Grete. the duet selections are: Bonnie, Jazz Waltz, Some of These Days, G Blues, Hot Stuff, and Ballad. All selections appear in standard notation only with chord symbols written over the staves. the solo and duet selections are intermediate to advanced in difficulty.
An important volume on both the harmonic and melodic aspects of the modern guitarist with an emphasis on improvisation. Subjects include chord construction, embellishment, substitution, connection, resolution and chromatic movement. Also covers whole tone, blues, altered scales, chord scales and much more.
(Jazz Transcriptions). Transcribed guitar solos from over 30 Pass classics, including: All the Things You Are * But Not for Me * Cavalerie * C.E.D. * Chlo-e * Django * 500 Miles High * For Django * Giant Steps * Have You Met Miss Jones? * I Love You * In a Mellow Tone * Just Friends * Limehouse Blues * Love for Sale * Love Is Here to Stay * Meditation (Meditacao) * Night and Day * The Night Has a Thousand Eyes * Oleo * Robbin's Nest * Rosetta * Satin Doll * Soon * Speak Low * Stella by Starlight * Stompin' at the Savoy * Tricrotism * Watch What Happens * Windows * Yardbird Suite * You Stepped Out of a Dream.
Presents hundreds of improvised melodic lines played by Joe Pass. Each of the melodic lines are grouped in the harmonic situation in which they were originally played (i.e. all minor lines are presented together and all dominant seventh lines are presented together, etc). the companion play along CD has a live rhythm section playing single chord vamps as well as vamps covering all twelve keys for each harmonic situation. an etude over the changes to Satin Doll shows how to apply the various lines and create improvised solos.Also available in Japanese from ATN, Inc.
The Jazz Stylings of Howard Roberts consists of transcriptions of melody, solo, comping examples and ensemble passages from Howard's extensive solo albums spanning from the '50's to the '70's in accurate detail. There is a bio of HR (as he was affectionately known to all of his acquaintances and fans) with personal comments from Pete Jolly, well known LA jazz and studio pianist who was best friends with Howard going back to their early days in Phoenix. an extensive section covers the history and development of the Epiphone© and Gibson© signature guitars that Howard created along with the Benson® amp story, which is told by Howard's original partner, Ron Benson, the first of the 'boutique' amplifier companies, so common today. Along the way, Howard's involvement with guitar education and publishing is described culminating in the opening of the Guitar Institute of Technology (now the Musicians Institute) in 1977. A discography of Howard's solo albums as well as the key hit records he played on and a list of the major motion picture soundtracks he participated in as a studio musician in Los Angeles are also included.
One of the finest books available on jazz guitar chords. Joe covers all the bases with two sections on chord forms and chord passages. Chords are divided into six categories: Major, Seventh, Augmented, Minor, Diminished, and Minor Seventh Flat Fifth, each showing substitutions and inversions that Joe would play when confronted with basic chord symbols. the chord passage section is divided into nine categories, including such topics as Major Sounds, Diminished Sounds, Augmented Sounds, Standard Patter Chord Substitutions, and other chord progression - related topics.
Two Joe Pass videos, Jazz Lines and An Evening with Joe Pass packaged together in an attractive slipcover.