You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Itinerant salesmen, also called pedlars, street hawkers, hucksters and ballad singers are considered to be the most important distributors of popular printed matter in Europe between 1600 and 1850. A general assumption is that the pedlar travelling from town to countryside was strongly distinct from the role of the established booksellers in the towns, selling books to the educated and affluent buyer. The commercial position of the urban pedlars, however, is very often underestimated. In this book, therefore, the itinerant book trade is studied in an English and Dutch, urban context, leading to a new perspective on the role of the pedlars as an intermediary between the established booksellers and an extensive, socially diverse reading public.
Cheap print moved across Europe in surprising ways, crossing unusual distances by unusual routes and by unusual means. Pedlars, news, and cheap print defy the conventional categories and models of distribution: we need to think about their extraordinary diversity, and about the means by which their unstable cultural images inflect distribution. Books were not dead things, and the examination of Italy, the Netherlands and Britain, three regions that contain instructive parallels and contrasts, reveals their unpredictable liveliness. This collection of essays, which emerges from transnational dialogues about pedlars and commerce and communication, examines the various means by which cheap print moved across Europe, and the cultural and material and economic premises of the European landscape of print. Contributors include: Alberto Milano; Jason Peacey; Jeroen Salman; Jo Thijssen; Joad Raymond; Joop Koopmans; Karen Bowen; Kate Peters; Melissa Calaresu; Roeland Harms; Rosa Salzberg; Sean Shesgreen.
Some religious traditions -- such as Lutheran, Wesleyan, and Eastern Orthodox -- have aesthetically rich resources on which to draw for the renewal of arts in everyday life. In contrast, Calvinism has generally been suspicious of the arts. The essays in this volume attempt to explore new avenues of thought about Calvinism's relation to the arts. Part historical, part theological, and part practical, they offer a wide-ranging exploration of neo-Calvinism's relationship to the arts, both at a general level and in connection with specific art forms. Overall they suggest that the neo-Calvinism espoused by Abraham Kuyper can and should make more of the arts than the traditional view of Reformed Christianity might be thought to allow. Contributors: Clifford B. Anderson John Barber James D. Bratt Michael Brutigam Janet Danielson Neal DeRoo John De Soto James Eglinton Matthew Kaemingk Jennifer Wang William Baltmanis Whitney Albert M. Wolters
This twenty-seventh volume of ABHB (Annual bibliography of the history of the printed book and libraries) contains 5076 records, selected from some 1000 periodicals, the list of which follows this introduction. They have been compiled by the National Committees of the following countries: Arab Countries Italy Australia Latin America Austria Latvia Lithuania Belarus Belgium Luxembourg Bulgaria Mexico The Netherlands Canada Croatia Poland Estonia Portugal Finland Rumania France Russia Germany South Africa Great Britain Spain Hungary Sweden Switzerland Iceland Ukraine Ireland Israel USA Benevolent readers are requested to signal the names of bibliographers and historians from countries not ment...
Herman Bavinck's four-volume Reformed Dogmatics is one of the most important theological works of the twentieth century. The English translation was edited by leading Bavinck expert John Bolt, who now brings forth a recently discovered manuscript from Bavinck that is being published for the first time. Serving as a companion to Reformed Dogmatics, Reformed Ethics offers readers Bavinck's mature reflections on ethical issues. This book, the second of three planned volumes, covers the duties of the Christian life and includes Bavinck's exposition of the Ten Commandments.
"De macht van de statistiek" is een 'koppige' geschiedenis van de Centrale Commissie voor de Statistiek, de voorgangster van het Centraal Bureau voor de Statistiek. Het is een collectief portret van de leden van de eerste commissie in 1892. Het waren wetenschappers, directeuren van onderwijs-, onderzoeks- en zorginstellingen, hoge ambtenaren, zakenlieden en arbeidersvertegenwoordigers. Zij waren woordvoerders in de discussies over sociale kwesties die aan de orde waren in het laatste kwart van de negentiende eeuw. Hun denkbeelden brachten zij naar voren in kranten en tijdschriften, in staats- en enquêtecommissies, in collegezalen, in de Vereeniging voor de Statistiek en de Maatschappij tot Nut van 't Algemeen. Nagegaan is wat de sferen en tradities waren waarin deze oerlichting van de officiële statistiek heeft gewerkt, hoe hun carrières eruit zagen, wat hun expertises waren, en wat hun gemeenschappelijke achtergronden en interesses waren.