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Text and Image
Text and image are used together in an increasingly flexible fashion and many disciplines and areas of study are now attempting to understand how these combinations work.This introductory textbook explores and analyses the various approaches to multimodality and offers a broad, interdisciplinary survey of all aspects of the text-image relation. It leads students into detailed discussion concerning a number of approaches that are used. It also brings out their strengths and weaknesses using illustrative example analyses and raises explicit research questions to reinforce learning. Throughout the book, John Bateman looks at a wide range of perspectives: socio-semiotics, visual communication, p...
Multimodality
This textbook provides the first foundational introduction to the practice of analysing multimodality, covering the full breadth of media and situations in which multimodality needs to be a concern. Readers learn via use cases how to approach any multimodal situation and to derive their own specifically tailored sets of methods for conducting and evaluating analyses. Extensive references and critical discussion of existing approaches from many disciplines and in each of the multimodal domains addressed are provided. The authors adopt a problem-oriented perspective throughout, showing how an appropriate foundation for understanding multimodality as a phenomenon can be used to derive strong methodological guidance for analysis as well as supporting the adoption and combination of appropriate theoretical tools. Theoretical positions found in the literature are consequently always related back to the purposes of analysis rather than being promoted as valuable in their own right. By these means the book establishes the necessary theoretical foundations to engage productively with today’s increasingly complex combinations of multimodal artefacts and performances of all kinds.
Multimodal Film Analysis
This book presents a new basis for the empirical analysis of film. Starting from an established body of work in film theory, the authors show how a close incorporation of the current state of the art in multimodal theory—including accounts of the syntagmatic and paradigmatic axes of organisation, discourse semantics and advanced ‘layout structure’—builds a methodology by which concrete details of film sequences drive mechanisms for constructing filmic discourse structures. The book introduces the necessary background, the open questions raised, and the method by which analysis can proceed step-by-step. Extensive examples are given from a broad range of films. With this new analytic tool set, the reader will approach the study of film organisation with new levels of detail and probe more deeply into the fundamental question of the discipline: just how is it that films reliably communicate meaning?
Families of Co. Kerry, Ireland
Specifications: 6" x 9" size; 244 + xxvi pages; 40 illustrations; well indexed by surname. Includes Castles in County Kerry; family seats of power; locations; variant spellings of family names; full map of County Kerry, coats of arms, and sources for research. From ancient times to the modern day. First Edition in dust jacket. Author/Editor: Michael C. O'Laughlin. Please remember that the first book in the Irish Families Project, "The Book of Irish Families, great & small" has information on Kerry families not contained in this book.
Multimodality and Genre
The first systematic, corpus-based and theoretically rigorous approach to the description and analysis of multimodal documents. Drawing on academic research and the experience of designers and production teams, Bateman uses linguistically-based analysis to show how different modes of expression together make up a document with a recognisable genre.
Who Killed Buster Sparkle?
When Peaches, a transgender woman, sees Buster, a ghost who hasn't been seen by the living in a very long time, questions of past, present, and future surface. Buster attempts to reckon with who he was and who he is in the presence of Peaches, whose identity perplexes him -- her gender fluidity makes him uneasy. Although he doesn't want to associate with Peaches, Buster realizes that she's the only one who can hear him and he must push him biases aside to avoid eternal loneliness.Who Killed Buster Sparkle? threads together dialogue on race, gender, and learning that oppression exists in many forms. Bateman masters funny and serious through two characters that need each other more than they understand.
The London Gazette
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