Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Life of the Author: John Milton
THE LIFE OF THE AUTHOR An expansive biography of John Milton, including an assessment of his poetry and prose and an account of the ways in which he has been presented over the past three and a half centuries—written by a leading scholar in the field It is hard to overstate the role that John Milton played in the historical, political and literary controversies of seventeenth century England; his writings and very life challenged the status quo. Living through one of the most tumultuous periods in British history, Milton was involved at every turn. Struggling to reconcile his private beliefs with his involvement with a radical political experiment, a republic which involved the killing of ...
True to You (A Bradford Sisters Romance Book #1)
Winner of the 2018 Christy Award Book of the Year After a devastating heartbreak three years ago, genealogist and historical village owner Nora Bradford has decided that burying her nose in her work and her books is far safer than romance in the here and now. Unlike Nora, former Navy SEAL and Medal of Honor recipient John Lawson is a modern-day man, usually 100 percent focused on the present. But when he's diagnosed with an inherited condition, he's forced to dig into the secrets of his past and his adoption as an infant, enlisting Nora to help him uncover the identity of his birth mother. The more time they spend together, the more this pair of opposites suspects they just might be a perfect match. However, John's already dating someone and Nora's not sure she's ready to trade her crushes on fictional heroes for the risks of a real relationship. Finding the answers they're seeking will test the limits of their identity, their faith, and their devotion to one another.
Lucky Him
Kingsley Amis always claimed that his fiction was not based on his life, and he worked hard and quite successfully at obscuring the autobiographical threads that run through his novels. But they exist, and Richard Bradford traces the channels between Amis's experiences, his states of mind, and his fictionalized versions of both. Bradford's biography shows that it is impossible to offer a comprehensive picture of Amis the man as husband, philanderer, friend, father, jester, son, boozer, agnostic, pseudo-socialist, and club-land Tory without also considering how each dimension of his life tested and extended his literary skills. Sometimes he remodeled the present, particularly during the 1950s...
The Eagles of Heart Mountain
In the summer of 1942, the federal government forced 120,000 Japanese Americans from their homes and sent them to concentration camps across the West. Eleven thousand of them landed on the desolate outskirts of the Wild West town of Cody, Wyoming, at Heart Mountain Relocation Center. It would be their home for the next three years. The same racism and discrimination that led to their removal continued in camp, as armed guards and FBI spies watched their every move. In that environment, little brought joy to the imprisoned. That is, until the fall of 1943, when the Heart Mountain High School football team, the Eagles, started its first season. Despite every obstacle, the Eagles ran through th...
(Re)writing and Remembering
Recounting past events is intrinsic to the storytelling function, as most fiction assumes the past tense as the natural means of narrating a story. Few narratives draw attention to this process, yet others make the act of remembering a primary part of the narrative situation. Ranging in its focus from poetry to novels, autobiographical memoirs and biopics – from the ostensibly fictional to the implicitly real – this volume discusses the extent to which such fictional acts of remembering are also acts of rewriting the past to suit the needs of the present. How seamlessly does experience yield to the ordering strictures of narrative and what is at stake in the process? What must be omitted or stylised, and to what (ideological) end? In making an artefact of the past, what role does artifice play, and what does this process also tell us about history-making?
The Nation
None
Writing a Novel
None
