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Present-day smuggling across the U.S.-Mexico border is a professional, often violent, criminal activity. However, it is only the latest chapter in a history of illicit business dealings that stretches back to 1848, when attempts by Mexico and the United States to tax commerce across the Rio Grande upset local trade and caused popular resentment. Rather than acquiesce to what they regarded as arbitrary trade regulations, borderlanders continued to cross goods and accepted many forms of smuggling as just. In Border Contraband, George T. DÃaz provides the first history of the common, yet little studied, practice of smuggling across the U.S.-Mexico border. In Part I, he examines the period betw...
Vile Things is the ultimate collection of extreme horror with 15 unspeakably gruesome, cringe-worthy, and sometimes disturbingly hilarious tales. and above all else an entertaining and damn good, fun read. The stories, most of which are previously unpublished, include a wide range of subjects: the Jersey Devil, zombies, sadistic Nazis, insatiable ghouls, perverted fishermen, a cult of Basilisk, tequila worms, and much more! FANGORIA MAGAZINE REVIEW "This book is not just your basic horror stories. This is extreme shit...Edited by Cheryl Mullenax, VILE THINGS: EXTREME DEVIATIONS OF HORROR is not for the light horror fan. The stories are not just extreme horror, but also extreme gore and sexâ€...
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The things you do for money . . . . Desperate times call for desperate measures, and when a team of unlikely criminals band together for an audacious score, everything is bound to go off the rails. A broke strip club announcer, an ex-con bodybuilder, a meth-head drag racer, and a career criminal have set their eyes on the local strip club, where a safe full of millions of dollars in cash awaits them. What none of them know is that the place is under surveillance by police officers intent on busting the Mafioso owner . . .
Focusing on twenty-first century Western films, including all major releases since the turn of the century, the essays in this volume cover a broad range of aesthetic and thematic aspects explored in these films, including gender and race. As diverse contributors focus on the individual subgenres of the traditional Western (the gunfighter, the Cavalry vs. Native American conflict, the role of women in Westerns, etc.), they share an understanding of the twenty-first century Western may be understood as a genre in itself. They argue that the films discussed here reimagine certain aspects of the more conventional Western and often reverse the ideology contained within them while employing certain forms and clichés that have become synonymous internationally with Westerns. The result is a contemporary sensibility that might be referred to as the postmodern Western.
In Hey Presto! Swift and the Quacks, Hugh Ormsby-Lennon reveals how medicine shows, both ancient and modern, galvanized Jonathan Swift's imagination and inspired his wittiest satiric voices. Swift dubbed these multifaceted traveling entertainments his Stage-itinerant or "Mountebank's Stage." In the course of arguing that the stage-itinerant formed an irresistible model for A Tale of a Tub, Ormsby-Lennon also surmises that the mountebank's stage will disclose that missing link, long sought, that connects the dual objects of Swift's ire: gross corruptions in both Religion and Learning.
In American history, animals are everywhere. They are a ubiquitous presence in myriad historical, literary, biographical, scientific and other documents and narratives of the American past – a past that, just like the present, was shaped by a multiplicity of relations between humans and other creatures ranging from coexistence and conviviality to hostility, subjugation and extermination. While such quintessentially American species as the bison, the mustang or the grizzly continue to roam the discursive, imaginary and, now to a much lesser degree, the geographical spaces of the nation, the less iconic creatures of civilization – the various species of domesticated working and companion a...
Pt. 1. Literatures and sciences -- pt. 2. Disciplinary and theoretical approaches -- pt. 3. Periods and cultures.
This book sets out to discuss what kind of ‘middle power’ Australia is, and whether its identity as a middle power negatively influences its relationship with Asia. It looks at the history of the middle power concept, develops three concepts of middle power status and examines Australia’s relationships with China, Japan and Indonesia as a focus. It argues that Australia is an ‘awkward partner’ in its relations with Asia due to both its historical colonial and discriminatory past, as well its current dependence upon the United States for a security alliance. It argues this should be changed by adopting a new middle power concept in Australian foreign policy.