You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Van Dyke is known for The Desert and other books on the American West, for his friendships with the prominent men of his time--among them, Theodore Roosevelt, Mark Twain, and James A.M. Whistler-- and for his art criticism. His autobiography, recently discovered in a Victorian farmhouse in Cranbury, New Jersey, is made public for the first time, edited and with an introduction by Peter Wild (English, U. of Arizona). Annotation copyright by Book News, Inc., Portland, OR
None
The object of this series of text-books is to provide concise teachable histories of art for class-room use in schools and colleges. The limited time given to the study of art in the average educational institution has not only dictated the condensed style of the volumes, but has limited their scope of matter to the general features of art history. Archæological discussions on special subjects and æsthetic theories have been avoided. The main facts of history as settled by the best authorities are given. If the reader choose to enter into particulars the bibliography cited at the head of each chapter will be found helpful. Illustrations have been introduced as sight-help to the text, and, ...
None
John Charles Van Dyke's 'Books and How to Use Them' offers helpful hints and tips for readers and students looking to get the most out of their reading experience. Providing practical suggestions and insights for approaching and interpreting books and other texts, this book is an essential guide for those seeking to deepen their understanding of literature and the humanities. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inve...
The author of The Desert, the book that made that landscape accessible to the mainstream mind, claimed to have wandered "alone on horseback for thousands of miles through the American Southwest and northern Mexico," as his readers--now in the millions since the book was published in 1901--were told. He did not. The desert saint is unmasked by his own recently discovered letters, revealing a privileged, pampered member of the upper-class; his incriminating correspondence shows that he saw most of the desert from plush railroad cars and grand hotel rooms. The editors clear up many misconceptions scholars currently hold about Van Dyke's ecological principles, his outdoorsmanship, and his trip through the desert itself. Unveiled here is a much more varied character than we had supposed--still worthy of admiration for his remarkable accomplishments, and still mysterious, but not the man we thought him to be.
Aidan explores the ways in which Nietzsche's warning that 'the desert grows' has been taken up by Heidegger, Derrida and Deleuze in their critiques of modernity, and the desert in literature ranging from T.S Eliot to Don DeLillo; from imperial travel writing to postmodernism; and from the Old Testament to salvagepunk.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.