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Love God, love people. Could evangelism really be that simple? Often, it doesn’t seem so. It can feel scary, awkward, and uncomfortable as we try to navigate loaded questions and different perspectives. Even the most faithful of believers sometimes get stumped. But can you imagine if we, as Christians, simply spent time with people who are far from God and provided a safe place to talk about spiritual matters? If we listened to them and discovered what was really important to them? After all . . . it’s what Jesus did. And it’s what you can do too. Drawing straight from the life and ministry of Jesus, The 9 Arts of Spiritual Conversations offers simple practices to help you build relationships with people who believe differently. Anyone who has read and appreciated Becoming a Contagious Christian or Just Walk across the Room won’t want to miss this book on creating a safe space to have natural, loving, and spiritual conversations with others.
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This collection revisits Steven Box’s book, Power, Crime and Mystification, published in 1983, and considers its relevance forty years on. It introduces the critical analysis developed by Box which examined corporate crime, police crime, rape and sexual assault and female crime and analyses the continuities and discontinuities since 1983 in relation to crime, the state and the exercise/mystification of power. The book explores the ways in which we can see his influence nationally and internationally on critical criminological, zemiological and abolitionist writings today. It asks how can these perspectives be applied to a critical analysis of contemporary, state authoritarianism and the criminal injustice that this authoritarianism generates? Additionally, how can Box’s concepts shine a critical light on contemporary social harms that were not covered in the original book? The collection provides a toolkit for students and academics to critically analyse the issues around crime/social harm, power/powerlessness, truth/mystification, criminal injustice/social justice as well as historical and contemporary sites of resistance confronting the exercise of state power.
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Henry Demarest Lloyd was one of the post-bellum 19th-century's best known journalists and non-fiction writers. In fact, only E.L. Godkin exceeded Lloyd in influence and prestige, and Godkin wrote no book-length exposé with the impact of Lloyd's 1894 Wealth Against Commonwealth. This biography, based in part on previously unpublished archival information, is a study of the mentality of the journalist as an advocate for reform. It is an examination of Wealth Against Commonwealth, the most influential exposé and starting point for every public investigation of the late 19th-century industrial monopolies. Lloyd's pre- and post-^IWealth^R journalism is investigated as well, including Story of a Great Monopoly, Lloyd's 1881 Atlantic Monthly article said to be the first example of American muckraking, and Lloyd's published investigations of reforms such as cooperatives, labor arbitration, minimum wage, and social security. His contact with a variety of his intellectual contemporaries is also featured, including Horace Greeley, Jane Addams, Ida M. Tarbell, Samuel F. Gompers, Clarence S. Darrow, Joseph Medill, Henry George, William Dean Howells, and Eugene V. Debs.
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Frances Goodrich and Albert Hackett wrote the screenplays for some of America's most treasured movies, including It's a Wonderful Life, The Thin Man, Easter Parade, Father of the Bride, Naughty Marietta, and Seven Brides for Seven Brothers. Legendary films, indeed, but writing both the play and screenplay for The Diary of Anne Frank was their crowning achievement. Controlled chaos best describes their writing method. They discussed a scene at length, sometimes acting it out. Afterwards, they each wrote a draft, which they exchanged. "Then," Frances said, "began 'free criticism'--which sometimes erupted into screaming matches." Noisy and contentious, the method worked splendidly. Enormously s...