Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Agrarian Letters
"John Donald Wade of Marshallville, Georgia, and Donald Davidson of Nashville, Tennessee, were lifelong friends and colleagues, dedicated to a common, passionate goal - to further the beauty and ideals of their beloved South. To that end, they participated with ten other like minds in the landmark symposium "I'll Take My Stand": The South and the Agrarian Tradition, published in 1930, just as the Great Depression was settling hard on the American experience. In this book, they took their stand against the evils of Progress, viewing the Depression as a product of its minions. Wade, who was director of graduate studies in American Literature at Vanderbilt, was introduced by Davidson, already o...
John Wesley
None
Selected Essays and Other Writings of John Donald Wade
One of the most important of the Southern magazines in the 1920s was The Fugitive, a magazine of verse and brief commentaries on literature in general. Among its contributors were John Crowe Ransom, Allen Tate, Robert Penn Warren, Donald Davidson, and Merrill Moore. Publication began in April 1922 and ended in December 1925. Soon thereafter, the “Fugitive” writers and some others became profoundly concerned with the materialism of American life and its effect upon the South. The group became known as “Agrarians.” Their thinking and discussion culminated in a symposium, I'll Take My Stand, published in 1930. In his first two lectures Davidson describes the underlying nature and aims of the Fugitive and Agrarian movements. He brings to the discussion his intimate and thorough knowledge of Southern life and letters. The third lecture deals with the place of the writer in the modern university, posing the questions of whether the writer needs the university and whether the university needs or wants the writer.
Augustus Baldwin Longstreet
Augustus Baldwin Longstreet (1790-1870) was a lawyer, judge, state senator, newspaper editor, minister, political propagandist, and college president. He was also a writer who published one of Georgia's first important literary works in 1835, Georgia Scenes, Characters, Incidents, Etc. in the First Half Century of the Republic. John Donald Wade's biography of Longstreet was first published in 1924 but was out of print during most of Wade's lifetime. In this 1969 reissue, M. Thomas Inge provides a bibliography of Wade's published work in addition to an introduction. As Inge notes, this biography was one of the first attempts to assess the cultural background of southern literature and it was the first real effort to investigate the nature of southwestern humor. In the opening chapter Wade announces his theme by saying that the history of Longstreet becomes “an epitome, in some sense, of American civilization.” The biography gradually narrows to a southern focus and as Inge remarks, Wade attempts “to take a panoramic view of the psyche of an entire society through one representative figure.”
The New Georgia Encyclopedia Companion to Georgia Literature
Georgia has played a formative role in the writing of America. Few states have produced a more impressive array of literary figures, among them Conrad Aiken, Erskine Caldwell, James Dickey, Joel Chandler Harris, Carson McCullers, Flannery O'Connor, Jean Toomer, and Alice Walker. This volume contains biographical and critical discussions of Georgia writers from the nineteenth century to the present as well as other information pertinent to Georgia literature. Organized in alphabetical order by author, the entries discuss each author's life and work, contributions to Georgia history and culture, and relevance to wider currents in regional and national literature. Lists of recommended readings ...
Southern Writers
This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-...
Waking Their Neighbors Up
Stung by attacks upon the South following the celebrated Scopes “monkey trial” in the 1920s, some of the poets comprising the Fugitive group at Vanderbilt University—notably John Crowe Ransom, Donald Davidson, Allen Tate, and Robert Penn Warren— conceived the idea of a symposium that would argue for the worth of an ordered, traditional society as an alternative to what they perceived as the increasing materialism of their times. The Fugitives were joined by eight other southerners, and the result was the 1930 Agrarian manifesto I'll Take My Stand. Published in 1982, this retrospective look at the Nashville Agrarians traces the evolution of I'll Take My Stand, explains what the men who made it were trying to do, and argues that time has proved them to be prophets.
Robert Penn Warren
At least since the dawn of the Romantic era, it has been assumed that the poet lives a lonely life, isolated in his garret. Nevertheless, writers are not always hermits and misanthropes. As human beings, they crave the company of other human beings; as artists they need the stimulation of other artists. This book brings to light Warren’s most important literary associations during his long and active life.
Cleanth Brooks and the Rise of Modern Criticism
During a career that spanned sixty years, Cleanth Brooks was involved in most of the major controversies facing the humanities from the 1930s until his death in 1994. He was arguably the most important American literary critic of the mid-twentieth century. Because it is impossible to understand modern literary criticism apart from Cleanth Brooks, or Cleanth Brooks apart from modern literary criticism, Mark Royden Winchell gives us not only an account of one man's influence but also a survey of literary criticism in twentieth-century America. More than any other individual, Brooks helped steer literary study away from historical and philological scholarship by emphasizing the autonomy of the text. He applied the methods of what came to be called the New Criticism, not only to the modernist works for which these methods were created, but to the entire canon of English poetry, from John Donne to William Butler Yeats. In his many critical books, especially The Well Wrought Urn and the textbooks he edited with Robert Penn Warren and others, Brooks taught several generations of students how to read literature without prejudice or preconception.
