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The Lost German Slave Girl
Historical narrative based in 19th century America, about the battle to free an enslaved German girl. In 1843 New Orleans, Madame Carl recognises the daughter of her closest friend who she last saw 25 years ago. The young woman is the slave of a Frenchman owner of a nearby caberet. Narrative examines slavery laws during the 19th century, describes the court room drama surrounding the case, and offers a portrait of a young woman in pursuit of freedom. Includes endnotes. Author is winner of the NSW Premier's Award for History, and the WA Premier's Literary Award for Non-fiction. He has previously written 'The White Divers of Broome'.
The Good Shepherd
Brings new light and life to our understanding of one of the most beloved and central images of the Christian faith. The Lord is my shepherd. Thus begins the most beloved of all Psalms - and thus begins a thousand-year journey through the Bible. Prophets, apostles and Jesus himself took up this image from David, reshaping it, developing it and applying it to their own situations and needs. Kenneth Bailey uses his celebrated insights into Middle Eastern culture and especially his familiarity with Middle Eastern shepherding customs to bring new light and life to our understanding of this central image of the Christian faith. With each of nine major Old and New Testament passages, Bailey reveals the literary artistry of the biblical writers and summarizes their key theological features. His work is also enriched by his unique access to very early Middle Eastern commentaries on these passages, bringing fresh understanding from within the mindset of these ancient worlds. The Good Shepherd invites us to experience a rich, biblical feast of ethical, theological and artistic delights.
Manchester
This work offers an examination of Manchester's architecture, from its origins to the present-day rebuilding of the city centre. It follows Manchester's growth from a village to what many see as England's second city.
John Constable
Born in 1776 in East Anglia near the river Stour, John Constable was destined for his father's business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship. This is revealed in his letters to John Dunthorne, village handyman and housepainter, and to his best friend and patron, archdeacon John Fisher, to whom he wrote: 'I have a kingdom of my own, both fertile and populous - my landscape and my children'. In recent times, after a period of relative ignominy, Constable's influence on British landscape painting has been re-acknowledged, he has been more widely exhibited and his reputation has been reestablished as one of the masters of his genre. This important and absorbing biography explores his life and work, and highlights the dramatic tension between the two.
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