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"I have had a dream past the wit of man to say what dream it was," says Bottom. "I have had a dream, and I wrote a Big Book about it," Arno Schmidt might have said. Schmidt's rare vision is a journey into many literary worlds. First and foremost it is about Edgar Allan Poe, or perhaps it is language itself that plays that lead role; and it is certainly about sex in its many Freudian disguises, but about love as well, whether fragile and unfulfilled or crude and wedded. As befits a dream upon a heath populated by elemental spirits, the shapes and figures are protean, its protagonists suddenly transformed into trees, horses, and demigods. In a single day, from one midsummer dawn to a fiery second, Dan and Franzisca, Wilma and Paul explore the labyrinths of literary creation and of their own dreams and desires. Since its publication in 1970 Zettel's Traum/Bottom's Dream has been regarded as Arno Schimdt's magnum opus, as the definitive work of a titan of postwar German literature. Readers are now invited to explore its verbally provocative landscape in an English translation by John E. Woods.
A sanitorium in the Swiss Alps reflects the societal ills of pre-twentieth-century Europe, and a young marine engineer rises from his life of anonymity to become a pivotal character in a story about how a human's environment affects self identity.
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THE BOOK: As Germany dissolved into the nightmare of Nazism, Thomas Mann was at work on this epic recasting of the the great Bible story. Joseph, his brothers and his father Jacob, are at the prototypes of all humanity and their story is the story of life itself. Mann has taken one of the great simple chronicles of literature and filled it with psychological scope and range: its men and women are not remote figures in the Book of Genesis, but founders of states in a fresh, realisic world akin to our own .
'Into The Woods' is a revelation of the fundamental structure and meaning of all stories from the man responsible for more hours of drama on British television than anyone else, John Yorke. We all love stories. Many of us love to tell them, and even dream of making a living from them. But what is a story? Hundreds of books about screenwriting and storytelling have been written, but none of them ask 'Why?' Why do we tell stories? And why do all stories function in an eerily similar way?
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Famous for his novels, Thomas Mann is more accessible through the shorter fictions which span his entire career. The most famous of these stories is one of the earliest. Death in Venice was made into the celebrated Visconti film, but all his mature preoccupations are present in this story: the need for a sense of meaning in existence, the relationship between life and art, the central role of sexual energy and the strange forms it can take, the place of death and disease, the importance of work, the individual's complex relations with his society and the dominant culture. These themes are developed in a series of brilliant stories, may of them very short and displaying the author's talent for macabre comedy. Dr Faustus and Buddenbrooks are already available in Everyman
Introduction / Judith Pfeiffer & Sholeh A. Quinn -- |t The Mongol world empire. -- |t World-conquest and local accomodation: threat and blandishment in Mongol diplomacy / |r Peter Jackson -- |t "Stuck in the throat of Chingīz Khān:" envisioning the Mongol conquests in some Sufi accounts from the 14th to 17th centuries / |r Devin de Weese -- |t The Qongrat in history / |r İsenbike Togan -- |t References to economic and cultural life in Anatolia in the letters of Rashīd al-Dīn / |r Zeki Velidi Togan, trans. Gery Leiser -- |t Autonomous enclaves in Islamic states: temlîks, soyurghals, yurdluḳ-ocaḳlıḳs, mâlikâne-muḳâṭaʿas and awqāf / |r Halil İnalcık -- |t The early Persian historiography of Anatolia / |r Charles Melville -- |t Aḥmad Tegüder's second letter to Qalāʼūn (682/1283) / |r Judith Pfeiffer -- |t The age of Timur. -- |t A note on the life and works of Ibn ʿArabshāh / |r R.D. McChesney -- |t On the Persian original Vālidiyya of Khvāja Aḥrār / |r Eiji Mano.
A captivating neo-noir classic from one of the masters of the genre A respected professor is dead—shot in a crowded Zurich restaurant, in front of dozens of witnesses. The murderer calmly turned himself in to the police. So why has he now hired a lawyer to clear his name? And why has he chosen the drink-soaked, disreputable Spät to defend him? As he investigates, Spät finds himself obsessed, drawn ever deeper into a case of baffling complexity until he reaches a deadly conclusion: justice can be restored only by a crime. The Execution of Justice is a dark, wicked satire on the legal system and a disturbing, if ambivalent, allegory on guilt, justice, violence and morality.