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John Freeman was one of Britain's most extraordinary public figures for over half a century: a renaissance man who constantly reinvented himself; a household name who sought complete anonymity. From advertising executive to war hero to MP tipped to be Prime Minister, Freeman then changed direction to become a seminal television interviewer and editor of the New Statesman. He subsequently remodelled himself yet again to become, in turn, an ambassador, a TV mogul, a university professor and, finally, in retirement, a well-known bowls player in south London. Freeman packed nine lives into his ninety-nine years, but all he really wanted was to be forgotten. The paradox of this private celebrity ...
John Freeman explores how parks--tiny microcosims of the world--are simultaneously natural and constructed, exclusionary and open, welcome and threatening.
Many of the vast number of camera owners today aspire to taking better pictures than the occasional snapshot and yet most are often disappointed with the results. Photography leads and teaches by example with each technique examined in depth and accompanied by a clear and jargon-free text. Divided into sixteen modules, it teaches the correct approach to great picture making from holding the camera properly to manipulating images shot on the latest digital cameras. The step-by-step approach to popular themes—such as holidays, children, pets and the nude – are covered in depth. Inspiring creativity at the same time as providing easy-to-understand technical knowledge, manipulating a camera will become as much second nature as handling a car.
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John Freeman's first poetry collection charts the impact of place on human experience. In Beirut, Rio de Janeiro, Paris, Rome, and the foothills of a childhood hometown, Freeman navigates legacies of ruin and construction, illness and memory. Warm, mournful, and distinctly urban, Maps offers a compassionate perspective from the experience of one American embroiled in empire. From "You Are Here:" The city grinds its molars at night, carefully mined explosions boring cavities beneath Manhattan, while other lines ride all hours in yellow light, gliding to stops at the zebra-painted beam halfway down each platform, conductor always pointing up, as if to say, yes, you are here. "At the intersecti...
For John Freeman - literary critic, essayist, editor, poet and 'one of the preeminent book people of our time' (Dave Eggers) - it is a rare moment when words are not enough. But in the wake of the election of 2016, words felt useless, even indulgent. Action was the only reasonable response. He took to the streets in protest and the sense of community and collective conviction felt right. But the assaults continued - on citizens' rights and long-held compacts, on the core principles of our culture and civilisation, and on our language itself. Words seemed to be losing the meanings they once had and Freeman was compelled to return to their defence. The result is his Dictionary of the Undoing. ...
For the last fifteen years, if a novel was published, John Freeman has been there to greet it. As a critic for more than two hundred newspapers worldwide, he has reviewed thousands of books and interviewed scores of writers, and in How to Read a Novelist, he shares with us what he has learned. From such international stars as Doris Lessing, Haruki Murakami, Salman Rushdie and Mo Yan; to British talents including Ian McEwan, Jim Crace, A. S. Byatt and Alan Hollinghurst; American masters such as Don DeLillo, Norman Mailer, Toni Morrison and Philip Roth; to the new guard of Jennifer Egan, Junot Díaz, Dave Eggers and Jonathan Franzen – Freeman has talked to everyone. How to Read a Novelist is essential reading for every aspiring writer and engaged reader; the perfect companion for anyone who's ever curled up with a novel and wanted to know a bit more about the person who made that moment possible.