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Illuminating the Blackness
Illuminating the Blackness presents the history of Brazil's race relations and African Muslim heritage. The book is divided into two parts. Part I explores the issue of race, anti-black racism, white supremacy, colourism, black beauty and affirmative action in contemporary Brazil. Part II examines the reports of African Muslims' travels to Brazil before the Portuguese colonisers, the slave revolts in Bahia and the West African Muslim communities in nineteenth century Brazil. The author explores the black consciousness movement in Brazil and examines the reasons behind the growing conversion to Islam amongst Brazilians, particularly those of African descent. The author also shares his insights into the complexities of race in Brazil and draws comparisons with the racial histories of the pre-modern Muslim world including a comparative analysis of the East African Zanj slave rebellions in ninth century Baghdad with the West African Hausa and Yoruba slave rebellions in nineteenth century Bahia.
The Law Times
None
Current Catalog
First multi-year cumulation covers six years: 1965-70.
Word Origins...And How We Know Them
A guide to the science and process of etymology for the layperson explains how the origins and history of hundreds of words are determined, discussing such topics as folk etymology, changes of meaning in language history, borrowed words, and the methods of etymology.
Artistic Freedom in International Law
The book examines in detail the essence, nature and scope of artistic freedom as a human right. It explains the legal problems associated with the lack of a precise definition of the term 'art' and discusses the emergence of a distinct 'right' to artistic freedom under international law. Drawing on a variety of case-studies primarily from the field of visual arts, but also performance, street art and graffiti, it examines potentially applicable 'defences' for those types of artistic expression that are perceived as inappropriate, ugly, offensive, disturbing, or even obscene and transgressive. The book also offers a view on global controversies such as Charlie Hebdo and the Danish Cartoons, attempting to explain the subtleties of offenses related to religious sensibilities and beliefs. It also examines the legitimacy of restrictions on extremist expressions in the case of arts involving criminal arts, such as child pornography.
War and Popular Culture
This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.
Disaster Planning, Structural Assessment, Demolition and Recycling
This book contains general recommendations for site clearing after man-made and natural disasters. It provides guidelines on the demolition of damaged structures and the reuse of demolition and construction materials. It has been prepared by an international task force originating from cooperation between RILEM and UNESCO.
Auschwitz and After
Beginning with Marcel Ophus's documentary The Sorrow and the Pity (1970) there has been an attempt to question the idea of a totally unified, courageous and resistant wartime France. Even more startling have been the increasingly shocking revelations that the politics of collaboration were a mere extension of a deep-seated French anti-semitic tradition. In the shadow of these developments French writers and philosophers today are reflecting on the meaning of Jewish identity in the contemporary world. Auschwitz and After analyses for the first time how the memory of Auschwitz and the collaboration continue to haunt the French. These critical evaluations are accompianed by provocative essays on the "jewish Question" and the politics of race as they have been studied by writers, historians, philosophers and film makers in postwar France.
