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Whereas previous eras had celebrated beauty as the central aim of art, the modernist avant-garde were deeply suspicious of beauty and its perennial symbols, woman and ornament, preferring instead the thrill and alienation of the sublime. They rejected harmony, empathy, and femininity in a denial still reverberating through art and social relations today. Exploring this casting of Venus, with all her charms, into exile, Wendy Steiner's brilliant, ambitious, and provocative analysis explores the twentieth century's troubled relationship with beauty. Tracing this strange and damaging history, starting from Kant's aesthetics and Mary Shelley's horrified response in Frankenstein, Steiner untangle...
In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater. The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life...
Nonprofit corporations, cooperatives, and credit unions constitute an alternative avenue of hope and action for communities that have come up short in the normal operation of the market economy. These organizations comprise the third sector, which accounts for approximately 10 percent of U.S. economic activity. As part of the fastest growing sector in the economy, these dynamic organizations play an increasing role in strengthening local economies. In the United States, they help to compensate for a state that is, in Gunn's view, relatively disengaged from meeting basic human needs. This book helps move thinking about the third sector beyond traditional nonprofits centered on education, heal...
A daring and innovative study that rewrites the story of American pragmatism. Emancipating Pragmatism is a radical rereading of Emerson that posits African- American culture, literature, and jazz as the very continuation and embodiment of pragmatic thought and democratic tradition. It traces Emerson's philosophical legacy through the 19th and 20th centuries to discover how Emersonian thought continues to inform issues of race, aesthetics, and poetic discourse. Emerson's pragmatism derives from his abolitionism, Michael Magee argues, and any pragmatic thought that aspires toward democracy canno.
To learn was to live, and to learn well was to live well. This was the lesson of both cultures of the Modern Orthodox Jewish world in which Ilana Blumberg was educated, with its commitment to traditional Jewish practice and ideas alongside an appreciation for modern, secular wisdom.
A 4.5-year series of daily and weekly littoral environment observations and beach profile surveys was made at 3 localities in Southeastern Florida. As a result of varying protection by the Bahamas Banks, the amount of wave energy reaching the shoreline decreases from north to south. Mean annual breaker height decreases from a maximum of 2.8 ft at Jupiter on the north to a minimum of 1.6 ft at Hollywood on the south. A pronounced seasonal variation is evident with waves and currents from the southeasterly sector dominating during April through September. Monthly averages of breaker height and period data were the same for a 4.5-year set of daily observations and a subset of weekly observation...
This book re-examines Adorno’s aesthetics, developing a new literary approach that aims to unveil hidden elements of Adorno’s thought. Farina proposes to read Adorno’s aesthetics as a literary theory of art, showing its efficacy in its comprehension of the most advanced trends of contemporary literature. As a result, this book provides an image of Adorno’s aesthetics as a complete, satisfying and consistent philosophy of literature, a robust theory which is able to stand its ground in contemporary aesthetic debate. Challenging the prevalent prejudice that defines Adorno’s thought, and especially his aesthetics, as ‘modernist’, Farina argues that Adorno's philosophy of literature shows its value precisely in its application to and comprehension of postmodern literature, such as the works of Thomas Pynchon, Don DeLillo and David Foster Wallace. Precise and compelling, this book provides a new paradigm for understanding Adorno’s theory of artwork, serving as an essential reference for researches investigating the relation between classical critical theory and contemporary art.
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