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By the Work of Their Hands
"A stunning piece of scholarship, rich in both theory and evidence, that takes the reader to a new plateau of understanding" (Charles Joyner, University of South Carolina) of the African-American folklife.
Back of the Big House
Back of the Big House: The Architecture of Plantation Slavery
Barns
A comprehensive and unique visual resource, Barns will be invaluable to students; teachers; researchers; historians of art, architecture, design, and technology; architects; engineers; designers of all kinds; and those who love barns."--BOOK JACKET.
The Afro-American Tradition in Decorative Arts
Included in the examples are works from the Charleston and Old Slave Mart museums and the ironwork of Philip Simmons.
Common Places
Exploring America's material culture, Common Places reveals the history, culture, and social and class relationships that are the backdrop of the everyday structures and environments of ordinary people. Examining America's houses and cityscapes, its rural outbuildings and landscapes from perspectives including cultural geography, decorative arts, architectural history, and folklore, these articles reflect the variety and vibrancy of the growing field of vernacular architecture. In essays that focus on buildings and spaces unique to the U.S. landscape, Clay Lancaster, Edward T. Price, John Michael Vlach, and Warren E. Roberts reconstruct the social and cultural contexts of the modern bungalow...
The Planter's Prospect
Planter's Prospect: Privilege and Slavery in Plantation Paintings
The Old in the New: Understanding How the New Testament Authors Quoted the Old Testament
Evangelical scholarship has had over fifty years of extensive (and at times, heated) discussion over the usage of the Old Testament in New Testament. However, now with the appearance of Professor Vlach's book THE OLD IN THE NEW: UNDERSTANDING HOW THE NEW TESTAMENT QUOTES THE OLD TESTAMENT, perhaps we have now come to a grand summary of that extensive dialogue. Michael J. Vlach has carefully summarized seven key positions held by various evangelicals (including my own view) and has given a legitimate critique of each view. But more than that, he has also taken up a wide sample of most, if not all, of the passages usually raised on this subject and has given a reasonable solution in Scripture ...
Slavery in the City
Countering the widespread misconception that slavery existed only on plantations, and that urban areas were immune from its impacts, Slavery in the City is the first volume to deal exclusively with the impact of North American slavery on urban design and city life during the antebellum period. This groundbreaking collection of essays brings together studies from diverse disciplines, including architectural history, historical archaeology, geography, and American studies. The contributors analyze urban sites and landscapes that are likewise varied, from the back lots of nineteenth-century Charleston townhouses to movements of enslaved workers through the streets of a small Tennessee town. These essays not only highlight the diversity of the slave experience in the antebellum city and town but also clearly articulate the common experience of conflict inherent in relationships based on power, resistance, and adaptation. Slavery in the City makes significant contributions to our understanding of American slavery and offers an essential guide to any study of slavery and the built environment.
He Will Reign Forever
The volumes is a study in the Christian doctrine of the kingdom of God. It is done from the Evangelical viewpoint and biblical texts, the history of the doctrine, and contemporary theology.
Charleston Blacksmith
Charleston Blacksmith is a guidebook to the beautiful ironwork of Charleston created by the historic city's best-known blacksmith, Philip Simmons. Simmons's mastery of the craft and his love for the hammer and anvil are evident in more than one hundred photographs of his ironwork that are included in this book. Author John M. Vlach describes the methods, motifs, and materials employed in each piece and shares some of Simmons's personal recollections from the seventy years the blacksmith has spent perfecting his craft. A map of the city is included, giving both the location and a brief description of each creation by Simmons. Readers will quickly understand why Philip Simmons has been hailed a "living national treasure."
