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This gem of Slovak naturalism was written in 1940. The story takes the reader to a mountain village. The protagonist narrates the vicissitudes, suffering, and success he experiences as he pursues a love affair, resulting in the triumph of pure love. Peter has been in love with a girl?Magdalena?since childhood and asks her to marry him. But he is too late, because a rich man, Jano Zapoto?n?, has already proposed to Magdalena, a proposal that her greedy mother promptly accepted on her behalf. Magdalena, out of respect for her mother's wishes, accepts the engagement. However, Magdalena promises Peter that she will put off marrying Jano and will marry him instead if he can prove that he truly loves her. He must build a house and earn a living. After almost two years Peter returns to show her that he kept his promise. But Magdalena is already married; Jano has raped her and she is pregnant. Desperate, Peter is tempted to take out his anger on Jano, nevertheless he resists the impulse. In the end, the author finds a way to reward Peter's faith in love and morality. ÿ
The Journal of Ogam Studies is an occasional publication focusing on the ogam, its history and its innovative use in contemporary spiritual practice. Ogam (or ogham)is an ancient Irish written language. Many have also posited a more esoteric interpretation of its history and use. The field of ogam studies is equally interesting to scholars, as well to as spiritual practitioners drawing from ancient sources and finding new and exciting applications. This publication may be of special interest to druids, pagans, magical practitioners, divinators and people interested in Irish studies, and specifically the ogam. In this issue we have: A reevaluation of the Ogham Tree List An Invocation of Ogma (ritual) Ogham and Hyper Diffusionism in America A Herb Ogham A Bird Ogham Ogham and Fidchell as well as a series of tree doodles throughout the journal...
This collection of articles explores a possible alternative beginning of Global Art History and World Art Studies, two methodologies that set a worldwide focus in the study of art around the 2000s. Teaching back to earlier efforts to conceive of the international community in a less Eurocentric way, the volume proposes a tentative link between socialist internationalism as a political and cultural diplomatic principle in the Soviet Block and some new approaches to art and cultural historiography introduced there. In the "Second World", universal art history or Weltkunstgeschichte were endorsed as frameworks for the teaching and writing of art history. Authors in this book interrogate whether "world art history" as practiced by socialist scholars had aspirations and achievements comparable to today's Global Art History and World Art Studies. Or was this knowledge production in an internationalist paradigm a mere foil for communist rhetoric, behind which severed cultural relations to the Western world could also be recommenced?
Celtic Wisdom Sticks is a powerful divination tool drawing on the ancient memory and wisdom of the trees and the culture of the Celts. By selecting different combinations of the sticks included with this pack and laying them out, readings can easily be made for yourself and your friends. These can be simple one-stick responses for everyday problems, or more complex readings which use all twenty sticks for more in-depth guidance. Four different ways of using the sticks are explained, along with a sample reading for each. Caitlin Matthews also explains the history and use of the ogam alphabet, one of the oldest known in the Western world. Further advice is given for phrasing questions to the oracle and interpreting the responses given. Guidance for working more freely with the system once you are familiar with the sticks will allow you to develop your own way of using the oracle.
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The Rig Veda, written in India about 1500BC, praises a holy plant called Soma, which is sacrificed and consumed, granting the drinker an experience of enlightenment and ecstasy. The late Gordon Wasson identified Soma as a "magic mushroom," Amanita muscaria, and he and his followers discovered that such Indo-Europeans as the ancient Greeks, Iranians and Norse had also used a Soma-type plant. In Ploughing the Clouds Peter Lamborn Wilson investigates the probability of a Soma cult in ancient Ireland, tracing clues in Irish (and other Celtic) lore. By comparing Celtic folktales, romances, epics and topographic lore with the Rig Veda, he uncovers the Irish branch of the great Indo-European tradition of psychedelic (or "entheogenic") shamanism, and even reconstructs some of its secret rituals. He uses this comparative material to illuminate the deep meaning of the Soma-function in all cultures: the entheogenic origin of "poetic frenzy," the link between intoxication and inspiration.
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological...
Avant-Post engages the question of whether or not avant-garde practice remains viable under the prevailing conditions of a whole series of "post-" ideologies, from Post-Modernism and Post-Structuralism, to Post-Historicism, Post-Humanism and Post-Ideology itself. Contributors include a range of artists and theorists, such as Johanna Drucker, Michael S. Begnal, Lisa Jarnot, Ann Vickery, Christian Bök, Robert Archambeau, Mairead Byrne, R.M. Berry, Trey Strecker, Keston Sutherland, Rachel Blau DuPlessis, Robert Sheppard, Bonita Rhoads, Vadim Erent, Laurent Milesi, and Esther Milne.