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The Morrison Hotel anthology written by Leah Moore, in collaboration with the surviving members of the legendary rock band and drawn by artists from around the comic book world, will weave the band’s influence into some of the lore that led to their status as the architects of counterculture, influencing artists, poets, and outsiders for generations to come, set against the backdrop of the close of the free spirit of the 1960s into the tumultuous 1970s. A decade in which women, African Americans, Native Americans, gays, lesbians and other marginalized people continued their fight for equality, and many Americans joined the protest against the ongoing war in Vietnam.
This sweeping study of mysticism by Jess Hollenback considers the writings and experiences of a broad range of traditional religious mystics, including Teresa of Avila, Black Elk, and Gopi Krishna. It also makes use of a new category of sources that more traditional scholars have almost entirely ignored, namely, the autobiographies and writings of contemporary clairvoyants, mediums, and out-of-body travelers. This study contributes to the current debate about the contextuality of mysticism by presenting evidence that not only are the mystic's interpretations of and responses to experiences culturally and historically conditioned, but historical context and cultural environment decisively sha...
NAMELESS tells the story of a down-at-heel occult hustler known only as Nameless who is recruited by a consortium of billionaire futurists as part of a desperate mission to save the world. When Nameless and his teammates inadvertently unleash a malignant soul-destroying intelligence, the stage is set for a nightmarish, nihilistic journey to the outer reaches of human terror. Collects NAMELESS #1-6.
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Begging comparisons to Tolstoy and Joyce, this “magnificent, sprawling cosmic epic” (Guardian) by Alan Moore—the genre-defying, “groundbreaking, hairy genius of our generation” (NPR)—takes its place among the most notable works of contemporary English literature. In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).
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Why do so many Americans reject the modern theory of evolution? Why does creationism, thoroughly refuted by scientists, retain such popularity among the public? Is the perceived conflict between evolution and Christianity genuine, or is it merely an illusion peculiar to Protestant fundamentalism? Seeking answers to these questions, mathematician Jason Rosenhouse became a regular attendee at creationist conferences and other gatherings. After ten years of attending events like the giant Creation Mega-Conference in Lynchburg, Virginia, and visiting sites like the Creation Museum in Petersburg, Kentucky, and after hundreds of surprisingly friendly conversations with creationists of varying stri...
Historical papers are prefixed to several issues.