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Volume 22, Diversity, is a special volume in the new series of Medievalia et Humanistica, focusing on the diversity of voices in medieval and early Renaissance literature. Six original articles explore themes of law, art, and piety at all levels of medieval and early Renaissance society, from the common audience of Malory's England to the aristocratic courts of Germany. . In addition to these six original articles, this volume offers two review articles and 28 review notices on 49 recent publications. Scholars, teachers, and students will find this volume presents a sampling of the variety and abundance of medieval and early Renaissance studies today.
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Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period. Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture.
The Assembly of Ladies is a fifteenth-century secular love poem in Middle English that adheres closely to conventional poetic structures, but throws these conventions into relief as it presents the narrative from a woman’s point of view, a rare occurrence for poetry of this period. Who wrote it, for whom and why, are questions about which we can speculate, but never ultimately answer–the poem itself gives us few clues. Yet the poem has had a remarkable shelf-life; in subsequent centuries the poem has continued to be noticed, read, and debated, as a small but significant artefact from fifteenth-century England. This book examines how fifteenth-century English social conventions impact upon gender relations in The Assembly of Ladies. By drawing on contemporary (and clearly influential) texts from the fifteenth century as a comparison, Marshall shows how The Assembly of Ladies has integrated social conventions into its themes and structure, elevating for the reader the ways that social and literary conventions impact on women in the production and consumption of literature.
Foreword by Paul A. Olson - Buzones Etymology - The Manuel des Péchés - Classical Origin of 'Circumstances' in the Medieval Confessional - The Cultural Tradition of Handlyng Synne - Marie de France, Lais, - Cumhthach Labhras an Lonsa - Chaucerian Tragedy - St. Foy among the Thorns - Amors de terra lonhdana - De Amore of Andreas Capellanus - Why the Devil Wears Green - On Conjointure - The Book of the Duchess - Chaucer Criticism - "And for my land thus hastow mordred me?" - Chaucer and the "Commune Profit" The Manor - The Intellectual, Artistic and Historical Context - Religion and Stylistic History - Simple Signs from Everyday Life - Chaucer and Christian Tradition - The Wife of Bath and Midas - Date and Purpose of Troilus - Who Were "The People"? - Economic and Social Consequences of the Plague - Probable Date and Purpose of Knight's Tale - The Physician's Comic Tale - Wisdom and "The Manciple's Tale"
A re-editing of F.N. Robinson's second edition of The works of Geoffrey Chaucer published in 1957 by the team of experts at the Riverside Institute who have greatly expanded the introductory material, explanatory notes, textual notes, bibliography and glossary. The result of many years' study. The Riverside Chaucer is the most authentic and exciting edition available of Chaucer's complete works.
This is a comprehensive critical guide to Chaucer's Troilus and Criseyde. This new edition has been comprehensively revised in light of the latest scholarly and critical research and with a fully updated bibliography. It includes a full account of Chaucer's imaginative deployment of his sources, and an extended survey of this narrative poem's innovative combination of a range of generic identities. The chapters explain how Chaucer builds thematic significance into his poem's symmetrical structure, and the poem's distinctive variety in style and language, as well as a full commentary on the poem's concerns with love in the contexts of time and mutability and human free will. The Guide explore...
This study of speech representation in English texts from 1350-1600 examines the problems of interpreting discourse in these early works.