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The statue of Saint Menaus had been the source of controversy amongst the townspeople for centuries. Some worshipped at the foot of the biblical monument, while others dared not approach it, frightened by generations of folklore about the saint who had succumbed to Satan. The young earned their rite of passage into adulthood upon hearing of the saint’s sins, and only if they refrained from repeating the details and evoking the troubled spirit. A bond now exists to unite all men on earth: The Internet - and Saint Menaus is ready to command his silent army throughout the web. None is more devout than Mr Winter Jeffrey. His feverish evangelism flourishes in the stealth of the net, where old crimes play out in new ways. No messy blood trails. No fleeing from crime scenes. Immune from the reach of traditional policing. A place where identities are lost in online ghettos with dial-up vulnerability. All Saint Menaus needs is a chat-room handle. Jesus had his disciples. God had his saints. But what if the devil didn’t work alone? What if he, too, had a helper? The original devil’s advocate. Satan’s very own servant. Saint Menace: The Patron Saint of Terror.
The role of private actors in policing has become a topic in both research and policy, as police forces face budgetary and expertise-related constraints. These challenges are evident in art crime policing, where a lack of prioritisation often means limited resources are allocated for a crime that requires significant expertise to tackle. Cooperating with private actors has been mooted as a solution to this deficit, but empirical research to support this suggestion is scarce. This book helps fill this gap by examining the interaction between specialist art crime police units and private actors in Belgium, the United Kingdom, and France. Its central questions are whether cooperation already exists in art crime policing, and why, or not. It was found that while limits to police capacity are an important driver for private outreach, several other factors also significantly affect cooperation. This book is relevant for policy, practice, and research, as it examines a hitherto less discussed topic which is nonetheless urgent as art crime shows little signs of abating.
If the goal of our justice system is to reduce crime and create a safer society, then we must do better. According to conventional wisdom, severely punishing offenders reduces the likelihood that they’ll offend again. Why, then, do so many who go to prison continue to commit crimes after their release? What do we actually know about offenders and the reasons they break the law? In Crime & Punishment, Russell Marks argues that the lives of most criminal offenders – and indeed of many victims of crime – are marked by often staggering disadvantage. For many offenders, prison only increases their chances of committing further crimes. And despite what some media outlets and politicians want us to believe, harsher sentences do not help most victims to heal. Drawing on his experience as a lawyer, Marks eloquently makes the case for restorative justice and community correction, whereby offenders are obliged to engage with victims and make amends. Crime & Punishment is a provocative call for change to a justice system in desperate need of renewal.
While many books have been written about private investigation, this text is different in that it does not deal with the subject from traditional perspectives. It examines how private investigation has grown, particularly since 9-11, into an exacting and sophisticated occupation. The book looks at the key issues in what it describes as private intelligence; that is, intelligence activities practiced by operatives other than law enforcement, national security, or the military. Eleven world experts contribute chapters addressing key practice issues concerning the skills, abilities, and knowledge necessary in the new realm of private intelligence. The initial three chapters provide a report on ...
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