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Explores Wagner's lengthy stays in Venice, his death there, and the meaning of his works -- and his death -- for that great city and its mystique.
The eastern half of the Roman Empire, economically the stronger, did not "fall" but continued almost intact, safe in the new capital of Constantinople. This empire is the subject of John Barker Jr.'s book and the central focus of his examination of questions of continuity and change.
The eastern half of the Roman Empire, economically the stronger, did not "fall" but continued almost intact, safe in the new capital of Constantinople. This empire is the subject of John Barker Jr.'s book and the central focus of his examination of questions of continuity and change.
The Gospel of John's relationship to the Synoptic Gospels is a perennial question. For centuries, the Gospel of Matthew has been considered the least likely of possible written sources of the Fourth Gospel. In an ambitious reappraisal, James Barker demonstrates John's use of the redacted Gospel of Matthew. After reviewing the history of interpretation on the question, Barker develops three case studies. Concerning ecclesial authority, Barker contends that John's saying concerning forgiving and retaining sins derives from Matthew's binding and loosing logion. Regarding proof from prophecy, he argues that John relies on Matthew for Zechariah's oracle about Israel's king entering Jerusalem on a donkey. Finally, he argues that John's inclusion of Samaritans contrasts sharply with Matthew's exclusion of Samaritans from the early church. Although John's engagement with Matthew was by no means uncritical, Barker at last concludes that John intended his Gospel to be read alongside, not instead of, Matthew.
The first account of how Wagner's last years and his death in Venice have been mythologized in novels and other works of the creative imagination. The vast literature about Richard Wagner and his works includes a surprising number of fictional works, including novels, plays, satires, and an opera. Many of these deal with his last years and his death in Venice in 1883 -- andeven a fabricated eleventh-hour romance. These fictional treatments -- many presented here in English for the first time -- reveal a striking evolution in the way that Wagner's character and reputation have been viewed over more than a century. They offer insights into changing contexts in Western intellectual and cultural...
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An engaging window into a century of musical life, as seen in the history of the Pro Arte String Quartet, first organized in 1912 and still performing today.