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Buddhism, Modernity, and the State in Asia
Leading scholars working on Buddhism and politics in South and Southeast Asia add to current discussions regarding 'Engaged Buddhism' and the recent work on protests. The writers have mostly established themselves in their fields, offering a diverse approach and country-by-country coverage.
The Emergence of Buddhist American Literature
The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.
Political Fiction and the American Self
Examining political novels that have achieved (or been denied) canonical status, John Whalen-Bridge demonstrates how Herman Melville, Jack London, Norman Mailer, Ralph Ellison, Toni Morrison, and Margaret Atwood have grappled with the problem of balancing radicalism and art. He shows that some books are more political than others, that some political novelists are more skillful than others, and that readers must allow for basic working distinctions between politics and aesthetics if we are to make useful judgments about which political novels to read, and why. "Whalen-Bridge demonstrates with clarity and power that the American political novel should not be ostracized but celebrated as a genre equal or superior to poetic and aesthetic ones." -- Tobin Siebers, author of Cold War Criticism and the Politics of Skepticism
Martial Arts as Embodied Knowledge
This landmark work provides a wide-ranging scholarly consideration of the traditional Asian martial arts. Most of the contributors to the volume are practitioners of the martial arts, and all are keenly aware that these traditions now exist in a transnational context. The book's cutting-edge research includes ethnography and approaches from film, literature, performance, and theater studies. Three central aspects emerge from this book: martial arts as embodied fantasy, as a culturally embedded form of self-cultivation, and as a continuous process of identity formation. Contributors explore several popular and highbrow cultural considerations, including the career of Bruce Lee, Chinese wuxia films, and Don DeLillo's novel Running Dog. Ethnographies explored describe how the social body trains in martial arts and how martial arts are constructed in transnational training. Ultimately, this academic study of martial arts offers a focal point for new understandings of cultural and social beliefs and of practice and agency.
Tibet on Fire
Using Kenneth Burke's concept of dramatism as a way of exploring multiple motivations in symbolic expression, Tibet on Fire examines the Tibetan self-immolation movement of 2011-2015. The volume asserts that the self-immolation act is an affirmation of Tibetan identity in the face of cultural genocide.
Religious Journeys in India
Explores how religious travel in India is transforming religious identities and self-constructions. In an increasingly global world where convenient modes of travel have opened the door to international and intraregional tourism and brought together people from different religious and ethnic communities, religious journeying in India has become the site of evolving and often paradoxical forms of self-construction. Through ethnographic reflections, the contributors to this volume explore religious and nonreligious motivations for religious travel in India and show how pilgrimages, missionary travel, the exportation of cultural art forms, and leisure travel among coreligionists are transformin...
American Buddhism as a Way of Life
Explores a range of Buddhist perspectives in a distinctly American context.
Recovering the Word
These essays by linguists, folklorists, anthropologists, literary theorists, and poets, bring to a new level of sophistication the structural analysis of Native American literary expression. Their common concern is for the appreciation and elucidation of Native American song and story, and for a historical, philosophical, psychoanalytic, and linguistic kind of commentary. The essays address the overlapping issues of presentation and interpretation of Native American literature: How to present in writing an art that is primarily oral, dramatic, and performative? How to interpret that art, both in its traditional forms and in its later, written forms. ISBN 0-520-05790-2: $60.00.
Democracy as Culture
Explores the significance of Dewey’s thought on democracy for the contemporary world.
Buddhism and American Cinema
Discusses both depictions of Buddhism in film and Buddhist takes on a variety of films. In 1989, the same year the Dalai Lama was awarded the Nobel Peace Prize, a decade-long boom of films dedicated to Buddhist people, history, and culture began. Offering the first scholarly treatment of Buddhism and cinema, the editors advise that there are two kinds of Buddhist film: those that are about Buddhists and those that are not. Focusing on contemporary American offerings, the contributors extend a two-pronged approach, discussing how Buddhism has been captured by directors and presenting Buddhist-oriented critiques of the worlds represented in films that would seem to have no connection with Buddhism. Films discussed range from those set in Tibet, such as Kundun and Lost Horizon, to those set well outside of any Buddhist milieu, such as Groundhog Day and The Matrix. The contributors explain the Buddhist theoretical concepts that emerge in these works, including karma, the bardo, and reincarnation, and consider them in relation to interpretive strategies that include feminism, postcolonialism, and contemplative psychological approaches.
