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The Art of the Accident
In the last two years a movement known as "trans-Architectures" has gotten under way among architects and media artists. Dedicated to the conceptual use of computers in the design process, the movement's practitioners might study such things as the form of a cloud or the surface of water through computer models -- in order to conceptualize a new kind of space. This book considers the concept of accident as explored in the November 1998 Dutch Electronic Art Festival by members of "trans-Architectures, " and provides project descriptions, illustrations, interviews and essays from the symposium. Contributors include Paul Virilio, John Rajchman, Greg Lynn, Humberto Maturana, Lieven de Cauter, Lars Spuybroek, Marcos Novak, Seiko Mikami, and Knowbotic Research.
DIY Citizenship
How social media and DIY communities have enabled new forms of political participation that emphasize doing and making rather than passive consumption. Today, DIY—do-it-yourself—describes more than self-taught carpentry. Social media enables DIY citizens to organize and protest in new ways (as in Egypt's “Twitter revolution” of 2011) and to repurpose corporate content (or create new user-generated content) in order to offer political counternarratives. This book examines the usefulness and limits of DIY citizenship, exploring the diverse forms of political participation and “critical making” that have emerged in recent years. The authors and artists in this collection describe DI...
Machine Art in the Twentieth Century
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and...
Lexicon for an Affective Archive
To study an archive or archival materials is to encounter an affective and critical practice involved in the construction of memory. Lexicon for an Affective Archive, edited by Giulia Palladini and Marco Pustianaz, is an international collection of these encounters, offering glimpses into the intimate relations inherent in finding, remembering (or imagining) and creating an archive. Bringing together voices from a variety of fields across the humanities, performance studies and contemporary art, and engaging in a multidisciplinary analysis, this beautifully designed and fully illustrated volume advances the idea of an “affective archive” as a useful conceptual tool – a tool which contributes to an understanding of an expanded notion of an archive and its central role in contemporary visual and performing arts. A co-publication with NInA and Live Art Development Agency.
Along the Archival Grain
'Along the Archival Grain' examines the nature of colonial governance as seen through its archival habits and conventions, and in doing so offers a series of nuanced meditations on the nature of archives and the spirit with which students of empire should approach them.
Shamanism in the Contemporary Novel
Shamanism in the Contemporary Novel examines how shamanism is used as a significant trope in a selection of novels. Özlem Öğüt Yazıcıoğlu contends that the shamanic figures and societies featured in these works have been subjected to marginalization, dislocation, and dispossession through imperialist, colonialist, and capitalist encroachments in different historical contexts.
Offsite Architecture
Architects have been intrigued by prefabricated construction since the early twentieth century. Recent advances in design, engineering and manufacturing processes have led to a significant expansion in the use of pre-assembled components, which are fitted to finished structures on site. Collectively, such processes are becoming known as "offsite construction." A ground-breaking text, Offsite Architecture establishes the current – and future – state of thinking in this field. A range of the most highly regarded thinkers and practitioners from around the globe share their ideas and practical findings on offsite prefabrication, examining theory and practice, opportunities and challenges, successes and failures. A timely response to the growing interest in this method, the book provides the fundamental basis for a critical, reflective approach to offsite architecture. Contributions from both academics and professionals make Offsite Architecture required reading for practitioners as well as students taking courses in architecture, prefabrication, construction and engineering.
Writing Wrongs
This book examines the ‘cultural apparatus’ of Human Rights in India today. It unravels discourses of victimhood, oppression, suffering and witnessing through a study of autobiographies, memoirs, reportage and media coverage, and documentaries. Moving across multiple media and genres for their representations of Dalits, riot victims, prisoners, abused and abandoned women and children, examining the formal properties of victim texts for their documentation of trauma, and analyzing the role of the sympathetic imagination, Writing Wrongs inaugurates a whole new field in literary–cultural studies by focusing on the narratives that build the culture of Human Rights. It argues for taking thi...
Alien Agency
An investigation into what happens in creative practice when the materials of art and research behave and perform in ways beyond the creators' intentions. In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art—the “stuff of the world”—behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works—all three deeply embroiled in and enabled by science and technology—allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigat...
Africa in Stereo
Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post- )pan-African futures -- Epilogue: Singing songs.
