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Crime and Spy Jazz on Screen Since 1971
Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. Isaac Hayes' theme from Shaft. These iconic melodies have remained a part of the pop culture landscape since their debuts back when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made from the mid-1950s and beyond have been propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book begins with Hayes' game-changin...
A Dreadful Fairy Book
Readers, beware: what you hold in your hands is a dreadful fairy book. I wish I were narrating almost any other fairy story, but alas, this is my lot. Whatever expectations you have of delightful and whimsical fairies are sure to be disappointed. There are certainly fairies, but most are not proper fairies. Some who are supposed to be nasty are disappointingly nice, while some who should be kind and helpful are disconcertingly surly, dishonest, and generally unpleasant company. Our heroine is, perhaps, the worst offender—a sprite more interested in books than carefree games, who insists on being called Shade. She is on a quest, albeit with rather questionable companions, to find a place her outré self can call home. A place of companionship, comfort, and, most importantly, positively filled with books.
Quinn Martin, Producer
"Quinn Martin was the most innovative and most creative of his kind. He was a man in touch with the future, far more than the times. His characters were not stereotypical characters. His production methods were not stereotypical either. He was unique in a number of ways. That's why his shows did so well"--Lynda Day George, guest star on QM's The Fugitive, The FBI, and other shows. Producer of such television shows as The Invaders, Barnaby Jones, The Untouchables, The Streets of San Francisco, Cannon and 12 O'Clock High, Quinn Martin was widely admired for his devotion to his shows, his hands-on approach to the writing, casting and editing of each episode, his interactions with network executives, and the high standards he set for his crew and actors. This detailed study of Martin and his company examines each of his series in detail, from development through cancellation.
Cop Shows
From cops who are paragons of virtue, to cops who are as bad as the bad guys...from surly loners, to upbeat partners...from detectives who pursue painstaking investigation, to loose cannons who just want to kick down the door, the heroes and anti-heroes of TV police dramas are part of who we are. They enter our living rooms and tell us tall tales about the social contract that exists between the citizen and the police. Love them or loathe them--according to the ratings, we love them--they serve a function. They've entertained, informed and sometimes infuriated audiences for more than 60 years. This book examines Dragnet, Highway Patrol, Naked City, The Untouchables, The F.B.I., Columbo, Hawa...
La Vie
None
Another Dreadful Fairy Book
The sharp-tongued Shade, gregarious Ginch, and pilfering Professor return for more mad-cap misadventures! Will the three stop a bullying bugbear from closing the Grand Library of Elfame? Maybe. Will they track down members of a secret society of book guardians and retrieve a treasure trove of lost books? Possibly. Will Quentin Q. Quacksworth actually approve of this tale? I wouldn't bet on it, but the only way to find out is to read (against the advice of Quacksworth, of course) Another Dreadful Fairy Book! Bullying bugbears, inept inventors, bickering gangsters, hay fever-plagued monsters—a whole new batch of dreadful fairies join Shade, Ginch, and the Professor in this sequel to A Dreadf...
