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This book delves into the fascinating convergence of Bob Dylan's life and cinema, both behind and in front of the camera. From the groundbreaking Dont Look Back in 1967 to the enigmatic Masked and Anonymous in 2003, Dylan's cinematic endeavours stand as bold additions to his creative tapestry, drawing from cinematic influences and his own songwriting. Despite being on the fringes of Dylan scholarship, a deeper look into his cinematic work reveals an underrated auteur who blurs the boundaries between literature, music, and film. This book provides a fresh perspective on the multifaceted artist whose innovation knows no limits.
In May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera. Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.
This volume was first published by Inter-Disciplinary Press in 2016. Media brings us many things. But of all the things that media exposes us to, by far the most prevalent is other people. The vast majority of media content revolves around the human world, human experience, and human behaviour. Whether these humans that we are invited to examine via the media are real or fictional doesn’t often matter. We watch, we judge, and we learn by witnessing through media the actions of people who we never have met personally, and most likely never will. This volume examines two important aspects of this media personascape, which at first glance may appear far removed from one another: celebrities and war films. Both these areas nonetheless share a focus on how humans behave in extreme situations, and how media consumers judge them and learn from them. Readers will attain a new appreciation of the importance of the persona across multiple media formats.
The Beatles and Vocal Expression examines popular song through the topic of paralanguage – a sub-category of nonverbal communication that addresses characteristics of speech that modify meaning and convey emotion. It responds to the general consensus regarding the limitations of Western art music notation to analyse popular song, assesses paralinguistic voice qualities giving rise to expressive tropes within and across songs, and lastly addresses gaps in existing Beatles scholarship. Taking The Beatles’ UK studio albums (1963–1970), paralinguistic voice qualities are examined in relation to concepts, characteristics, metaphors, and functions of paralanguage in vocal performance. Tropes, such as rising and falling intonation on words of woe, have historical connections to performative and conversational techniques. This interdisciplinary analysis is achieved through musicology, sound studies, applied linguistics, and cultural history. The new methodology locates paralinguistic voice qualities in recordings, identifies features, shows functions, and draws aural threads within and across popular songs.
Israel Armstrong, one of literature's most unlikely detectives, returns for more crime solving adventure in this third novel from 'The Mobile Library' series.
Israel Armstrong, one of literature’s most unlikely detectives, returns for more crime solving adventure in this hilarious third novel from the Mobile Library series.
Contributions by Alberto Brodesco, James Cody, Andrea Cossu, Anne Margaret Daniel, Jesper Doolard, Nina Goss, Jonathan Hodgers, Jamie Lorentzen, Fahri Öz, Nick Smart, and Thad Williamson Bob Dylan is many things to many people. Folk prodigy. Rock poet. Quiet gentleman. Dionysian impresario. Cotton Mather. Stage hog. Each of these Dylan creations comes with its own accessories, including a costume, a hairstyle, a voice, a lyrical register, a metaphysics, an audience, and a library of commentary. Each Bob Dylan joins a collective cast that has made up his persona for over fifty years. No version of Dylan turns out uncomplicated, but the postmillennial manifestation seems peculiarly contraryâ€...
Explore the enduring influence of the Western – the quintessential American film genre – and its essential role in US and world culture. Follow the entire history of the Western, from its roots in the pulp novels of the early 20th century, through the serials of the silent era and the mid-century classics of John Ford and John Wayne, to the recent award-winning revisionist works, like Unforgiven and No Country for Old Men, that provide a more complex and nuanced take on history of the West. Perhaps more than any other pop culture genre, the Western allows us to view how Americans have seen themselves over the last 150 years. Build a foundational understanding of the genre with 5 introduc...