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Joe Gould's Secret
‘It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer’ Nicci French, Independent It was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History – the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found. This compelling portrait of a true New York eccentric, a man who embodied the disconnected, delusional nature of real life, was Mitchell’s personal enquiry into the agony of writer’s block. Joe Gould's Secret can be found in the longer collection of Mitchell's writing Up in the Old Hotel.
Up in the Old Hotel
'The master of a journalistic style long vanished - urbane, lucid, courteous... A masterpiece of observation and storytelling' Ian McEwan Mitchell is the laureate of old New York. The hidden corners of the city and the people who lived there are his subject. He captured the waterfront rooming-houses , nickel-a-drink saloons, all-night restaurants, the 'visionaries, obsessives, imposters, fanatics, lost souls, the end-is-near street preachers, old Gypsy Kings and old Gypsy Queens, and out-and-out freak-show freaks.' Mitchell's trademark curiosity, respect and graveyard humour fuel these magical essays. Written between 1943 and 1965, Up in the Old Hotel is the complete collection of Joseph Mitchell 's New Yorker journalism and includes McSorley's Wonderful Saloon, Old Mr Flood, The Bottom of the Harbour and Joe Gould's Secret. 'Joseph Mitchell is buried treasure' Salman Rushdie
Man in Profile
WINNER OF THE SPERBER PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE AND PUBLISHERS WEEKLY • This fascinating biography reveals the untold story of the legendary New Yorker profile writer—author of Joe Gould’s Secret and Up in the Old Hotel—and unravels the mystery behind one of literary history’s greatest disappearing acts. Born and raised in North Carolina, Joseph Mitchell was Southern to the core. But from the 1930s to the 1960s, he was the voice of New York City. Readers of The New Yorker cherished his intimate sketches of the people who made the city tick—from Mohawk steelworkers to Staten Island oystermen, from homeless intellectual Joe Gould t...
Heart Throbs
A collection of beloved and inspiring poetry and prose from American authors, compiled by Joe Mitchell Chapple. This timeless classic is sure to warm your heart and inspire your soul. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Bottom Of The Harbor
After Joe Gould's Secret - 'a miniature masterpiece of a shaggy dog story' (Observer) - here is another collection of stories by Joseph Mitchell, each connected in one way or another with the waterfront of New York City. As William Fiennes wrote in the London Review of Books, 'Mitchell was the laureate of the waters around New York', and in The Bottom of the Harbor he records the lives and practices of the rivermen, with love and understanding and a sharp eye for the eccentric and strange. This is some of the best journalist ever written.
Joe Gould's Teeth
From New Yorker staff writer and Harvard historian Jill Lepore, the dark, spellbinding tale of her restless search for the missing longest book ever written, a century-old manuscript called “The Oral History of Our Time.” Joe Gould’s Teeth is a Poe-like tale of detection, madness, and invention. Digging through archives all over the country, Lepore unearthed evidence that “The Oral History of Our Time” did in fact once exist. Relying on letters, scraps, and Gould’s own diaries and notebooks—including volumes of his lost manuscript—Lepore argues that Joe Gould’s real secret had to do with sex and the color line, with modernists’ relationship to the Harlem Renaissance, and, above all, with Gould’s terrifying obsession with the African American sculptor Augusta Savage. In ways that even Gould himself could not have imagined, what Gould wrote down really is a history of our time: unsettling and ferocious.
Flatpack Democracy
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Saturday's Heroes
The world of football hooliganism, as in the best traditions of pulp fiction, Paul West and his skinhead crew battle with casuals, other skinheads, and rival supporters.
The Missionary Pioneer
The Missionary Pioneer, or A Brief Memoir of the Life, Labors, and Death of John Stewart, (Man of Color, ) Founder, under God of the Mission among the Wyandotts at Upper Sandusky, Ohio: by Joseph Mitchell Compiled by Joe Mitchell
Heart Throbs
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
