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Everyday Hinduism
This innovative introductory textbook explores the central practices and beliefs of Hinduism through contemporary, everyday practice. Introduces and contextualizes the rituals, festivals and everyday lived experiences of Hinduism in text and images Includes data from the author’s own extensive ethnographic fieldwork in central India (Chhattisgarh), the Deccan Plateau (Hyderabad), and South India (Tirupati) Features coverage of Hindu diasporas, including a study of the Hindu community in Atlanta, Georgia Each chapter includes case study examples of specific topics related to the practice of Hinduism framed by introductory and contextual material
Gender and Genre in the Folklore of Middle India
In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women’s rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.
Material Acts in Everyday Hindu Worlds
In Material Acts in Everyday Hindu Worlds, Joyce Burkhalter Flueckiger analyzes the agency of materiality—the ability of materials to have an effect on both humans and deities—beyond human intentions. Using materials from three regions where Flueckiger conducted extensive fieldwork, she begins with Indian understandings of the agency of ornaments that have the desired effects of protecting women and making them more auspicious. Subsequent chapters bring in examples of materiality that are agentive beyond human intentions, from a south Indian goddess tradition where female guising transforms the aggressive masculinity of men who wear saris, braids, and breasts to the presence of cement im...
When the World Becomes Female
“A carefully crafted ethnography on the South Indian festival of the village goddess Gangamma in the pilgrimage town of Tirupati” (Choice). During the goddess Gangamma’s festival in the town of Tirupati, lower-caste men take guises of the goddess, and the streets are filled with men wearing saris, braids, and female jewelry. By contrast, women participate by intensifying the rituals they perform for Gangamma throughout the year, such as cooking and offering food. Joyce Burkhalter Flueckiger argues that within the festival ultimate reality is imagined as female and women identify with the goddess, whose power they share. Vivid accounts by male and female participants offer new insights ...
In Amma's Healing Room
"[I]t is extremely salubrious to see the ways Islam works in the lives of ordinary people who are not politicized in their religious lives. . . . No other book on South Asia has material like this." —Ann Grodzins Gold In Amma's Healing Room is a compelling study of the life and thought of a female Muslim spiritual healer in Hyderabad, South India. Joyce Burkhalter Flueckiger describes Amma's practice as a form of vernacular Islam arising in a particular locality, one in which the boundaries between Islam, Hinduism, and Christianity are fluid. In the "healing room," Amma meets a diverse clientele that includes men and women, Muslim, Hindu, and Christian, of varied social backgrounds, who bring a wide range of physical, social, and psychological afflictions. Flueckiger collaborated closely with Amma and relates to her at different moments as daughter, disciple, and researcher. The result is a work of insight and compassion that challenges widely held views of religion and gender in India and reveals the creativity of a tradition often portrayed by Muslims and non-Muslims alike as singular and monolithic.
Shiptown
Ann Grodzins Gold weaves together an integrated series of ethnographic sketches depicting the distinctive nature of non-urban, non-rural places; the impact locality has on belonging; the negotiations of difference required in a pluralistic society; and the ways a changing environment permeates experiences of self and place.
The Wiley Blackwell Companion to Religion and Materiality
The Wiley Blackwell Companion to Religion and Materiality provides a thoughtfully organized, inclusive, and vibrant project of the multiple ways in which religion and materiality intersect. The contributions explore the way that religion is shaped by, and has shaped, the material world, embedding beliefs, doctrines, and texts into social and cultural contexts of production, circulation, and consumption. The Companion not only contains scholarly essays but has an accompanying website to demonstrate the work of performers, architects, and expressive artists, ranging from musicians and dancers to religious practitioners. These examples offer specific illustrations of the interplay of religion a...
Contradictory Lives
In the popular imagination, Bauls in West Bengal (India) and Bangladesh are depicted as a sect of musical mendicants with flowing hair clad in ocher-colored clothes and carrying a one-stringed instrument. Their popularity stems from their mystical songs and their carefree, whimsical behavior. Somewhat less celebrated are Baul beliefs and practices: they are fiercely opposed to the caste system and sectarianism and, at least in the context of their sexo-yogic rituals and philosophy, extol women over men. Despite the importance of women among Bauls, scholarly and popular discourses on Bauls marginalize Baul women by depicting the ideal Baul as male and as unencumbered by social constraints and...
Miracle as Modern Conundrum in South Asian Religious Traditions
Claims of the miraculous are foundational to faith and skepticism, making and breaking religious careers and movements in their wake. Drawing on a variety of South Asian religious traditions-Hinduism, Buddhism, Islam, Christianity-this book revolves around the theme of conundrum, demonstrating how miracles offer divine proof, tenacious embarrassment, and, in many cases, both. The contributors explore not only how modern miracles are conundrums themselves but also how they make conundrums out of assumed divides between scientific and supernatural realms, modernity and tradition, the West and the rest, and ethnographer and native. Book jacket.
