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The Bedroom
An erudite and highly enjoyable exploration of the most intriguing of personal spaces, from Greek and Roman antiquity through today The winner of France’s prestigious Prix Femina Essai (2009), this imaginative and captivating book explores the many dimensions of the room in which we spend so much of our lives—the bedroom. Eminent cultural historian Michelle Perrot traces the evolution of the bedroom from the time of the ancient Greeks and Romans to today, examining its myriad forms and functions, from royal king’s chamber to child’s sleeping quarters to lovers’ trysting place to monk’s cell. The history of women, so eager for a room of their own, and that of prisons, where the principal cause of suffering is the lack of privacy, is interwoven with a reflection on secrecy, walls, the night and its mysteries. Drawing from a wide range of sources, including architectural and design treatises, private journals, novels, memoirs, and correspondences, Perrot’s engaging book follows the many roads that lead to the bedroom—birth, sex, illness, death—in its endeavor to expose the most intimate, nocturnal side of human history.
Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain
The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on ...
Bringing the Empire Back Home
DIVA study of the meaning of culture in contemporary France with an emphasis on anti-globalization and post-colonial regionalism./div
The Hellfest - A Pilgrimage for Metalheads
The study presented here shows, through the analysis of the Hellfest, an annual metal music festival held in Clisson in the Loire-Atlantique region of France, that this music constitutes a true culture. To understand the current position the Hellfest holds for the metal community, it is necessary to know its evolution since its creation, to examine the relationships it promotes between the festivalgoers themselves, and between the festivalgoers and the artists, and to examine its role as a place where a community with no real geographical foothold can be united during a given period of time. The various sociabilities that are experienced at the Hellfest cannot be understood without taking an...
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Made in France
Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics. Contributors: Christian Béthune Juliette Dalbavie Gérôme Guibert Fabien Hein Olivier Julien Marc Kaiser Barbara Lebrun David Looseley Stéphanie Molinero Anne Petiau Cécile Prévost-Thomas Vincent Rouzé Catherine Rudent Matthieu Saladin Jedediah Sklower Raphaël Suire Florence Tamagne
Musiciennes
La musique est femme, écrivait Wagner en 1850... Dans ce numéro, les auteurs mettent en rapport les pratiques musicales concrètes avec les représentations de la musique, des femmes et du féminin dans la longue durée, surtout en Europe. Leurs contributions s'inscrivent dans le renouveau ces deux dernières décennies des sciences humaines et sociales, y compris de la musicologie.
L'Oubli
L'oubli interroge l'esprit humain depuis l'Antiquité. Qu'en est-il de ce qui est communément perçu comme un effacement de la mémoire ? À partir de la fin du xixe siècle, c'est en psychologie et en psychanalyse que la question s'est posée ; elle a depuis été prise en charge par d'autres disciplines, la philosophie l'anthropologie et l'histoire, notamment. Le présent ouvrage expose les différentes manières dont on peut aujourd'hui traiter de l'oubli. L'analyse de quelques-unes des principales lectures qui en ont été faites nous amène à comprendre combien, - et à quelles conditions -, au niveau personnel comme au niveau social, il est bon d'oublier. Elle nous conduit aussi, et par là même, à réfléchir sur la place que l'oubli occupe dans la création.
Le sentiment esthétique
L’esthétique comme catégorie oscille entre sensation et jugement. La beauté assiège la raison philosophique, quêtant, de Platon à Heidegger, l’intelligible non le ravissement, indicible émoi. Les sciences sociales creusent ce fossé, substituant au concept d’esthétique celui d’Art. Il s’agit ici de dissocier goût artistique, agonistique des expertises sociales, et sentiment esthétique, expérience rare et commune d’un saisissement affectif et spirituel de tout l’être. Singulier, toujours, silencieux souvent. Comprendre son ardeur ou sa simplicité, c’est se placer aux frontières : esthétique de la connaissance, anthropologie des passions, socio-sémiologie des formes, langages... Loin des précautions de la sociologie de l’art, c’est l’aventure d’une approche transversale du sens.
Rethinking France: Legacies
The third volume of Pierre Nora's monumental work documenting the history and culture of France turns to French manners, mores, and society. The essays in this volume are concerned with the kinds of things that make up the heart of French culture such as conversation, songs, and wine.
