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Casual Haiku
Stretching the limits of structured poetry and frustrating literature professors along the way, the always experimental poet, Juan M. Perez, introduces you to what he calls The Haiku Crown Experience. Casual Haiku is a poetic autobiography and examination of the life of one, South Texas man. Could his observations be just like yours? There is only one way to find out.
Screw The Wall: and Other Brown People Poems
Praise For SCREW THE WALL! In Screw the Wall, Juan Manuel Pérez answers the question: what can brown poetry do for you? He does so as he digs in and swings for and at the fences. This book of impactful poetry deals mainly with barriers-barriers erected by poverty, prejudice, culture, and language; barriers imagined and real; barriers conquered, and barriers left to be scaled. These poems range from the humorous, to the satiric, to the poignant, to the nostalgic. A few of these worthwhile works might strike a nerve or two with their readers, but as Pérez reminds us about the border wall in his poem A Promising Letter to a Worrisome Trump, "No need to worry; We'll get over it!" Likewise, In ...
Far South
Gerardo Fischer is missing. Can you help? Theater director Gerardo Fischer has vanished from the Argentinian artists' colony where he was rehearsing a pioneering new work. No note. No warning. No trace. His colleagues are frightened for him, so they call in Juan Manuel Pérez, an ex-cop, now private investigator. Far South is Pérez's casebook, compiled as he searches for Fischer. Read the book. Follow the links and QR codes to access short films, audio recordings and YouTube videos. Trust no-one. Question everything. Be a part of the mystery.
O' Dark Heaven
None
Sex, Lies, and Chupacabras
The grand proponent of wild, Texas chupacabras, the lover of fantastic, comic book characters, and the advocate of last century's monsters, all in the form of sometimes experimental poetry is at it again and there is no human, super or otherwise, on this tiny, blue Earth that can stop him. Is he a super-speculative genius trapped in what the unassuming think is a common poet? You hear him read live and you might start to wonder what a marvel he really is. Enjoy this very creative and speculative, poetry book that is not just a fast read but a kick in the pants of what poetry can also be like. In Sex, Lies, And Chupacabras, Juan Manuel Perez gives a powerful voice to several shadowy figures, namely one Speedy Gonzales, a love-sick werewolf, and the creature who Juan has championed for so many years, El Chupacabra. Named the Poet Laureate of the most misunderstood cucuy ever, Juan has gathered in this collection four multi-piece works, each varying in tone but they are all in their own way very powerful and fun.
A Nation in Search of Its Nationhood
When the Liberal Party reached power in Panama in 1912 it started a period that lasted until 1941. A period in which Panamanians, due to the special circumstances under which the country became independent, the presence of the United States, and of thousands of foreign workers in its territory, began to doubt and asked themselves if they were truly independent. The American presence impacted politics and a sense of inferiority developed because people believed that nothing could be accomplished without the blessings of the United States. In the middle of chaotic political scene and self-doubt, the country retreated to its Hispanic past and began an effort to Hispanize in the face of so much ...
Recados veniales
En Recados veniales se combinan dos buenos licores que dan lugar a un cóctel gustoso de paladear. Por un lado, microrrelatos que cuentan historias: relato negro, de suspense, de terror psicológico, de amor, de ciencia-ficción. Y por otro, pequeñas joyas líricas que son pura poesía de sentimientos y emociones. No hay respiro ni descanso en Recados veniales. Una serie de textos cortos, como rayos en la tormenta, dan paso a otros algo más largos que siempre nos dejan con ganas de más y parecen ser el germen de un cuento más extenso que tiene todavía mucho que decir. Juan Manuel posee el difícil arte de desconcertar, sorprender, emocionar, sobrecoger o inquietar, con una naturalidad desprovista de adornos ni florituras. La vida misma se asoma a sus historias y él nos lo va contando desde la barandilla de su balcón.
O' Dark Heaven
An article appeared in the November/December 2006 (29/6) issue of the Star*Line, the Journal of the Science Fiction Poetry Association, that prompted this poetry writing exercise and eventually this book. The article, suggested by Marge Simon, the editor of Star*Line at the time, was written by the association's founder and legendary, science fiction writer and poet, Suzette Haden Elgin, who just recently passed away. Simon marks Elgin's "Defining Our Horrible Terms" as "a fascinating take on" what "terror poetry" is. Upon reading, Juan Manuel Perez, the author of this book, found it to be quite remarkable and oddly stimulating in a very uber-horrible, creative way and in the recent line of deaths around him. This, therefore is his scholarly response to Elgin's definition of what "horror poetry" is. The hope is to come close to the very meaning described by late author (Elgin). The final query, in response to Elgin's grand thesis is simply this: Are the poetic examples within true to her definition of "horror poetry"? Of course the success of this endeavor will rest on the satisfaction of the reader."
Legends of the City of Mexico
Reproduction of the original: Legends of the City of Mexico by Thomas A. Janvier
