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Welcome to the Matriarchy. Sixty years after a virus has wiped out almost all the men on the planet, things are pretty much just as you would imagine a world run by women might be: war has ended; greed is not tolerated; the ecological needs of the planet are always put first. In two generations, the female population has grieved, pulled together and moved on, and life really is pretty good - if you're a girl. It's not so great if you're a boy, but fourteen-year-old River wouldn't know that. Until she met Mason, she thought they were extinct.
In Dip Flash we are taken to worlds where houses disappear, a wife runs off with a porpoise, and on to Heaven, where only French is spoken. From a bull in a china shop to a scheme for releasing the equity in grannies, these stories are dark and raw, grotesque and fantastic. They are also laugh-out-loud funny.
Every object has a story to tell. Set against the backdrop of the Norfolk coast, The Naming of Bones weaves a patchwork tale of redemption and recovery. Real-life memories intertwine with dreams and folklore in this deeply moving tale of loss and unresolved grief, where tiny moments carry as much weight as the ever-present, ever-changing North Sea. As passionate as it is personal, this story unearths relics of the author's life to reveal the transformative power of love, understanding and forgiveness. "If you only read one book this year, let it be The Naming of Bones. Jan Kaneen's themes make compelling reading: brutal honesty about anxiety disorder, complex family dynamics and the realisation that an incalculable loss has lain unacknowledged for years. The narrative voice develops as the author picks up a literary pen for the first time, which goes hand-in-hand with ghostly imagery taking on a more concrete form. The author's newfound ability serves to unravel the disquiet in her mind, as she embraces the incantations that have haunted her for years: 'I start with my toes, phalanges, metatarsals. . .'" Nod Ghosh, author of The Crazed Wind and Filthy Sucre.
From the extraordinary mind of debut writer Ben Pester comes a book of stories in which the everyday - work, parents, friends - is not quite what it should be. Taken together, it forms a collection of things we are doing right now, in this lost and terrifying world we are gamely attempting to inhabit. Things like worshipping an imaginary being while trying to be productive; or slowly dying and having nothing to say about it except how tiring it was building the kitchen extension. Unsettling, original and occasionally monstrous, these are stories that light the contours of the ordinary world with a shimmering unreality.
An Oak Tree is a bold, absurdist, comic play for two actors - one of them different at each performance - about loss, suggestion and the power of the mind. This Student Edition is published with a commentary and notes by Seda Ilter, which explore Tim Crouch's notion of audience and their role in theatre; possibilities of transformation and the role of visual art in theatre; the implosion of the real and fictional; and the liminal dramaturgy of Crouch's plays; as well as how this experimental play works in performance. The edition also includes an interview with Tim Crouch, which sheds further light on his philosophy and process.
A Girl’s Arm is a collection of stories homing in on the pressure points in the lives of its characters. Although a mixed bag from a variety of backgrounds — an apparently nerveless woman rock climber, a young classicist on the academic make, an estranged son just dropping by after many years — with a couple of exceptions they would be classed as ‘ordinary’. The stories focus on that single extraordinary event from which the course of his or her particular narrative veers off and they are offered the chance to become what they were meant to be. It can lead in many cases to prospering after aridity, or as in the title story, to a demonic hatching.
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From the New York Times bestselling author of Something in the Water and Mr. Nobody comes “an unputdownable mystery about the nightmares that abound in the pursuit of Hollywood dreams” (Caroline Kepnes, author of the You series). “Stylish, riveting, hugely atmospheric—I couldn’t put it down.”—Lucy Foley, author of The Guest List A woman has gone missing. But did she ever really exist? A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls—anxious, desperate, and willing to do...
... a woman gives away parts of herself and struggles with the impossibility of it ever being enough ... a man's life is explored through a single defining moment and the tragedy that follows ... a mother and daughter navigate a relationship shaped by resentment and love The human condition is laid bare in these spell-binding narratives that weave their way through dreams and reality, hope and regret, the past and the present.
The Missing Monument Murders is a veiled story of power, wealth, dark deeds and intrigue. In 1806, Jane Austen’s relative, the Reverend Thomas Leigh, came into vast estates and the mood in the extended Leigh/Austen family was jubilant. But within a few years, bizarre events were the talk of the district: the removal and destruction of monuments in the village church, cheating, blackmail, and the eviction of tenants who dared speak of events. It would even be alleged that the family engaged in murder to protect their inheritance. Judy Stove’s painstaking research pieces together for the first time in detail the full story, in which whistle blower Charles Griffin, a local solicitor, ended ...