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Storgy Flash Fiction 2019
The STORGY FLASH FICTION 2019 Anthology contains the finalists of the 2019 STORGY Flash Fiction Competition and includes the following stories: All The Shuttered Things Blooming by Selma Carvalho American Religion by Luke Kuhns WINNER Apocalypse Vodka by Donna Greenwood Calithea by Tomas Marcantonio Crisis Actor by Rick White Devotion Take Me by Emily Harrison Ghost-Sex by Adam Lock Home Time by Tony McDonald How Your Birthday Unfolded by Alexis Wolfe Ink Stain by Tucker Lieberman Late Night TV by Thomas Conaghan Leave a Little Light on by Mark Nelson Little White Lies by Wiebo Grobler Moving South by Simon Billinton Oceans Apart by Hannah Storm Puddles by Colin James Relative Claws by Eleanor Hickey Rituals in the Dark by Laure Van Rensburg Sink by Dani Smotrich-Barr 3rd PLACE Sponging by Wayne Turmel Superstition by Jude Higgins The Cage of Extinction by Sebastian Collier They Care For Me by Randall Perry To Cloak by Rick White Today The Trees Are Bending by Rick White Tumour by Nicola Ashbrook Undocumented Movements of A Lost Canary by Phil Olsen We Die In The Mangroves by Andrew Boulton We Only Need One by Laure Van Rensburg 2nd PLACE Window Seat by Gareth Durasow
The Tree Tracers
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Historical Dictionary of Children's Literature
History is constantly evolving, and the history of children’s literature is no exception. Since the original publication of Emer O’Sullivan’s Historical Dictionary of Children’s Literature in 2010, much has happened in the field of children’s literature. New authors have come into print, new books have won awards, and new ideas have entered the discourse within children’s literature studies. Historical Dictionary of Children's Literature, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries. This book will be an excellent resource for students, scholars, researchers, and anyone interested in the field of children’s literature studies.
The Media's Role in Defining the Nation
In 1897, William Randolph Hearst said that his newspaper did not simply cover events that had already happened. «It doesn't wait for things to turn up», Hearst said. «It turns them up.» This book traces the close relationship between media and the United States' development from the colonial period to the twenty-first century. It explores how the active voice of citizen-journalists and trained media professionals has turned to media to direct the moral compass of the people and to set the agenda for a nation, and discusses how changes in technology have altered the way in which participatory journalism is practiced. What makes the book powerful is that its assessment of the influence and use of media encompasses many levels: it explores the potential of media as an agent for change from within small communities to the national stage.
Reframing Cult Westerns
Once one of the most popular film genres and a key player in the birth of early narrative cinema, the Western has experienced a rebirth in the era of post-classical filmmaking with a small but noteworthy selection of Westerns being produced long after the genre's 1950s heyday. Thanks to regular repertory cinema and television screenings, home video releases and critical reappraisals by cultural gatekeepers such as Quentin Tarantino, an ever-increasing number of these Westerns have become cult films. Be they star-laden, stylish, violent, bizarre or simply little heard-of obscurities, Reframing Cult Westerns offers a multitude of new critical insights into a truly eclectic selection of cult Western films. These twelve essays present a wide-ranging methodological scope, from industrial histories to ecocritical approaches, auteurist analysis to queer and other ideological angles. With a thorough analysis of the genre from international perspectives, Reframing Cult Westerns offers fresh insight on the Western as a global phenomenon.
