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Michael Amaladoss and the Quest for Indian Theology
A Jesuit priest born in the Indian state of Tamil Nadu, Michael Amaladoss is one of the most prominent Asian thinkers in the field of interreligious dialogue. Bringing his unique perspective toward the nature of God and Christ, Christian dialogue with Indian Vedanta, and the reconciliation between spirituality and social justice, Amaladoss has contributed to the creation of a distinctly Indian "pole" of Catholic theology, without the mediating force of Western culture and philosophy. With this book, Enrico Beltramini offers an assessment of Amaladoss's thought and an investigation into his main theological concerns.
Central Things
A revised and expanded edition of the 1994 classic. In the 10 years since this book was first published, the ELCA has been engaged in the multi-year Renewing Worship initiative. Lathrop's text has been revised to encompass new developments and directions suggested by this churchwide initiative and its provisional phase of development towards a new core worship resource.
Future Humans
"Evolutionary biologist Scott Solomon draws on the explosion of discoveries in recent years to examine the future evolution of our species. Combining knowledge of our past with current trends, Solomon offers convincing evidence that evolutionary forces still affect us today. But how will modernization--including longer lifespans, changing diets, global travel, and widespread use of medicine and contraceptives--affect our evolutionary future?" --publisher description.
Sail and Steam
This collection provides a tribute to the career of maritime historian Yrjö Kaukiainen, composed upon his retirement from the University of Helsinki. It collects seventeen of his maritime essays written in English, reprinted in order to celebrate his career and impact on the field of maritime history. The selected essays encompass the following themes: maritime Finland; maritime labour; sail, steam, coal, and canvas; the timber-trade; maritime communication and networks; ship measurement and shipping statistics; the economics of merchant shipping; managerial skills in Finnish merchant fleets; and international freight markets. The collection primarily concerns Finnish shipping, and the maritime relationships between Finland and the wider international community, including the British timber-trade, the wider Baltic timber-trade, and Dutch shipping in relation to the Swedish Navigation Act. The essays are prefaced by three tributes of Kaukiainen’s career, penned by Lars U. Scholl, Merja-Liisa Hinkkanen, and Lewis R. Fischer, respectively. The volume concludes with a bibliography of Kaukiainen’s work on maritime history, in both Swedish and English, from 1981 to 2003.
3D Printing, Intellectual Property and Innovation
3D printing (or, more correctly, additive manufacturing) is the general term for those software-driven technologies that create physical objects by successive layering of materials. Due to recent advances in the quality of objects produced and to lower processing costs, the increasing dispersion and availability of these technologies have major implications not only for manufacturers and distributors but also for users and consumers, raising unprecedented challenges for intellectual property protection and enforcement. This is the first and only book to discuss 3D printing technology from a multidisciplinary perspective that encompasses law, economics, engineering, technology, and policy. Or...
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Proceedings of the DLM-Forum
Recoge: Preface. - DLM-Forum 2002 Organising Committees. - Programme of the DLM-Forum. - Plenary opening session. - Parallel sessions.
Rethinking Genre in Contemporary Global Cinema
Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume’s content—the films, genres, and movements explored, as well as methodologies used in their analysis—is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat “other” national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.
