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An Annotated Bibliography of Inuit Art
Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.
Tamarind
An essential addition to the library of anyone concerned with contemporary printmaking.
Minnesota Prints and Printmakers, 1900-1945
A definitive survey of Minnesota's vibrant printmaking scene in the first half of the twentieth century that features almost two hundred artists.
Someone to Teach Them
From the early 1960s to the 1970s, the province of Ontario witnessed an explosion in university enrolment. So dramatic was the increase that there were neither the institutions nor the faculty in place to meet the demand. In response, a dozen new universities from Trent in the southeast to Lakehead in the northwest were established, and faculty had to be recruited wherever they could be found. It was the events and developments of this decade, many argue, that created the university system that exists in Ontario today. Someone to Teach Them is an insider's account of this period as told by historian John T. Saywell. As Dean of Arts at York University from 1963 to 1973, Saywell witnessed the ...
A Life on Paper
John Thomas Biggers (1924-2001) was a major African American artist who inspired countless others through his teaching, murals, paintings, and drawings. Based on interviewes during the last thirteen years of his life, this title features selected representative works of John.
National Arts and Humanities Foundations
Considers (88) H.R. 9586, (89) H.R. 334, (89) H.R. 2043, (89) H.R. 3617, (89) S. 111, (89) S. 310, (89) S. 315, (89) S. 316, (89) S. 1483.
Caveman Chemistry
Half a million years ago our ancestors learned to make fire from scratch. They crafted intricate tools from stone and brewed mind-altering elixirs from honey. Their descendants transformed clay into pottery, wool into clothing, and ashes into cleansers. In ceramic crucibles they won metal from rock, the metals lead to colored glazes and glass. Buildings of brick and mortar enshrined books of parchment and paper. Kings and queens demanded ever more colorful clothing and accessories in order to out-class clod-hoppers and call-girls. Kingdoms rose and fell by the power of saltpeter, sulfur, and charcoal. And the demands of everyday folk for glass and paper and soap stimulated the first round of...
Hearings
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Garo Z. Antreasian
Garo Z. Antreasian (b. 1922) belongs to the great generation of innovators in mid-twentieth-century American art. While influenced by a variety of European artists in his early years, it was his involvement with Tamarind Lithography Workshop starting in 1960 that transformed his work. As Tamarind’s founding technical director, he revolutionized the medium of lithography. He discovered how to manipulate the spontaneous possibilities of lithography in the manner of the Abstract Expressionist painters. In addition to reflecting on his work, he writes movingly about his Armenian heritage and its importance in his art, his teaching, and his love affair with all sorts of artistic media. Illustrating his drawings, paintings, and prints, this book reveals Antreasian as a major American artist. This book was made possible in part by generous contributions from the Frederick Hammersley Foundation and Gerald Peters Gallery.
