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This book argues that ideas first take shape in the human body, appearing on stage in new styles of performance.
Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism.
How do ideas take shape? How do concepts emerge into form? This book argues that they take shape quite literally in the human body, often appearing on stage in new styles of performance. Focusing on the historical period of modernity, Performance and Modernity: Enacting Change on the Globalizing Stage demonstrates how the unforeseen impact of economic, industrial, political, social, and psychological change was registered in bodily metaphors that took shape on stage. In new styles of performance-acting, dance, music, pageantry, avant-garde provocations, film, video and networked media-this book finds fresh evidence for how modernity has been understood and lived, both by stage actors, who, in modelling new habits, gave emerging experiences an epistemological shape, and by their audiences, who, in borrowing the strategies performers enacted, learned to adapt to a modernizing world.
The question of selfhood in Renaissance texts constitutes a scholarly and critical debate of almost unmanageable proportions. The author of this work begins by questioning the strategies with which male writers depict powerful women. Although Spenser's Britomart, Shakespeare's Cleopatra, and Milton's Eve figure selfhood very differently and to very different ends, they do have two significant elements in common: mirrors and transformations that diminish the power of the female self.
“This evocative portrait elevates an everyday routine to a wonder-filled walk of discovery.”— School Library Journal (starred review) Before your city goes to sleep, you might head out for a walk into the almost-night, your dog at your side. Anything can happen on such a walk. And as you go down your street and around the corner, the windows around you light up one by one until you are walking through a maze of paper lanterns, each one granting you a brief, glowing snapshot of your neighbors as families come together and folks settle in for the night. In this American Library Association Notable Children’s Book, now in paperback, Julia Denos and E. B. Goodale have created a setting that feels both specific and universal. Through lyrical text and welcoming illustrations, they convey not only the idea of home and the magic of curiosity, but also how a sense of love and belonging is something to which every child is entitled.
Julia struggles as she comes of age when she learns, along with the rest of the world, that the Earth has begun to slow its rotation, drastically changing gravity and the environment.
'BRINGS ALL THE BEAUTY OF DEEPEST FRANCE VIBRANTLY ALIVE' - Irish Independent on Sunday Bruno, Chief of Police's beloved Dordogne town of St Denis is tearing itself apart. Can he keep it together in the gripping eighth instalment in this internationally bestselling series? St Denis may be picturesque and sleepy, but it has more than its fair share of murder and mystery, as Bruno knows all too well. When Bruno is invited to the 90th birthday of a powerful local patriarch - a war hero with high-level political connections in France, Russia and Israel - he encounters a family with more secrets than even he had imagined. When one of the other guests is found dead the next morning and the family ...
For years following reunification, Berlin was the largest construction site in Europe, with striking new architecture proliferating throughout the city in the 1990s and early 2000s. Among the most visible and the most contested of the new projects were those designed for the national government and its related functions. Berlin Contemporary explores these buildings and plans, tracing their antecedents while also situating their iconic forms and influential designers within the spectacular world of global contemporary architecture. Close studies of these sites, including the Reichstag, the Chancellery, and the reconstruction of the Berlin Stadtschloss (now known as the Humboldt Forum), demonstrate the complexity of Berlin's political and architectural rebuilding-and reveal the intricate historical negotiations that architecture was summoned to perform.
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This report discusses the pre-appointment hearing of the preferred candidate, Tom Winsor, to the post of Chief Inspector of Constabulary. Pre-appointment hearings are to assess the suitability of the preferred candidate, but that cannot be done effectively in a vacuum and the Committee were disappointed that the Home Secretary initially refused to provide information on the selection process or the shortlist. The Committee recommends that the Government in future provide such information in keeping with the recommendation from the Liaison Committee. The Home Affairs Committee is content for the Home Secretary to proceed with Mr Winsor's appointment. This is considered against the background ...