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Este livro reúne experiências e reflexões sobre um campo de atuação novo no Brasil: o atendimento psicológico a pessoas em situações de emergência e desastre. Diversos especialistas abordam a importância de cuidar dessas pessoas e os procedimentos e técnicas mais indicados em cada caso. A saúde mental do psicólogo e os efeitos do transtorno de estresse pós-traumático também são analisados. Textos de Adriana Silveira Cogo, Adriana Vilela Leite César, Ana Lucia Toledo, Ariana Oliveira, Cibele Martins de Oliveira Marras, Claudia Gregio Cukierman, Cristiane Corsini Prizanteli, Cristina Foloni Delduque da Costa, Eleonora Jabur, Ester Passos Affini, Gabriela Casellato, Iara Bocca...
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Jesuits established a large number of astronomical, geophysical and meteorological observatories during the 17th and 18th centuries and again during the 19th and 20th centuries throughout the world. The history of these observatories has never been published in a complete form. Many early European astronomical observatories were established in Jesuit colleges. During the 17th and 18th centuries Jesuits were the first western scientists to enter into contact with China and India. It was through them that western astronomy was first introduced in these countries. They made early astronomical observations in India and China and they directed for 150 years the Imperial Observatory of Beijing. In the 19th and 20th centuries a new set of observatories were established. Besides astronomy these now included meteorology and geophysics. Jesuits established some of the earliest observatories in Africa, South America and the Far East. Jesuit observatories constitute an often forgotten chapter of the history of these sciences.
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Updates and adds to Mr. Lentz's Science Fiction, Horror & Fantasy Film and Television Credits and his Supplement 1 for all works through
The artists featured in The Black Index--Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas--build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium's long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice--a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers' desire for classification and, instead, redirects them toward alternative information.