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The Art of Classical Details
-A lavish and beautifully illustrated sourcebook of classically inspired architectural detail -A valuable resource for architects, interior designers, builders and home decorators -Featuring a foreword by renowned interior designer David Easton -Highlights projects by US architects including Marc Ferguson & Oscar Shamamian, Peter Pennoyer, Quinlan Terry and Gil Schafer. Features a foreword by David Easton, arguably America's most respected decorator. Contributors also include historians Jeremy Musson and David Watkin. In The Art of Classical Details, classically trained architect Phillip Dodd takes a close-up look at some of the finest examples of neo-classical architecture in the world today. Covering the fundamentals of classical architecture, such as Tuscan, Doric, Ionic, Corinthian, and Composite columns, and featuring the work of skilled contemporary classicists, including Julian Bicknell and Ken Tate, The Art of Classical Details is the definitive guide to today's world of neoclassical architectural detailing.
The Architectural Drawings of Magdalen College, Oxford
The architectural drawings of Magdalen College, Oxford number some thousand items and make up a collection unparalleled at any other Oxford or Cambridge college. They span three centuries, from the early eighteenth century to the present day, and contain many beautiful contributions from someof the great names of English architecture including Nicholas Hawksmoor, James Wyatt, John Nash, Humphry Repton, A. W. N. Pugin, and leading members of the Scott dynasty. This is the first comprehensive catalogue of the collection, lavishly illustrated in both colour and black and white. It isprefaced by a detailed introductory essay by Roger White which sets the drawings in their context, and provides an overview of the architectural evolution of this most famously picturesque of Oxford colleges. The catalogue has been compiled with the assistance of Robin Darwall-Smith, Archivist,Magdalen College.
The Medieval Stained Glass of St Peter Mancroft, Norwich
"The medieval stained glass of St. Peter Mancroft, Norwich, is the most important collection in a country rich in this medium. The glass is of exceptional quality and was painted in the city. It reflects the personal, religious and political interests in Norwich's urban elite, who were worshipping in the leading parish church of one of England's largest cities." "This illustrated volume reconstructs the glazing of much of the eastern arm of the church using extensive documentary and antiquarian evidence. The windows provide opportunities for the discussion of narrative, display and audience, and the glass is set in a local and national stylistic context. There is biographical information relating to all known Norwich glaziers from 1400 to the Reformation; this will constitute a invaluable resource for stained glass studies in the future. The reader will also find details of the documentary evidence for the furnishing and liturgy of St Peter Mancroft; transcripts of all the documents relating to the church's medieval glazing; and descriptions of panels from Mancroft now in other collections."--BOOK JACKET.
The History of the English Organ
This 1996 book describes the history of organs built in England from AD 900 to the present day.
Architecture and Alienation
The debate over architecture has been raging for years & shows no signs of abatement. In these entertaining yet serious essays, Clarke traces the origin of the malaise of modern architecture to schools of architecture themselves, both in the United States & France. He is also critical of contemporary artists, & laments the fact that modern art has now lost its connection to architecture. Clarke believes that contemporary architects have alienated the public with hideous buildings & this disaffection will eventually result in the destruction of their profession. He urges renewed recognition of the interdependence of architecture & society, & of the humanities & architecture. This engagingly written work is an important cross-cultural commentary on the state of Western architecture, art & education today. Clarke is professor of Advanced Technical Studies at Southern Illinois University & author of a number of books on architecture & environmental design. Includes an introduction by David Watkin, Head of the Department of History of Art at the University of Cambridge.
New Country House
Until recently, radical architecture has had no place in a rural context. But now people are beginning to buck this trend, taking powerful design statements into the countryside. This title uses 30 case studies to show how modern approaches are now being used to challenge the notion of the traditional 'country house'.
Cullinan Architects
This study examines the architectural practice of Edward Cullinan Architects, known for its high principled, user-oriented design philosophy. Since 1974, the firm has completed a significant number of buildings for selective clients, such as Olivetti and the National Trust. Since 1989, they have also been invited to carry out major projects throughout Europe, Japan and the USA, including Technical High School, Lagny, France; D'Hautree Secondary School, Jersey; Ambassador's Residence, Moscow; and The University of North Carolina Campus, USA.
Modern Architecture in an Oxford College
This book is a detailed historical study of the post-war architecture of St John's College, Oxford. In the sixty years since 1945 St John's has been one of the major patrons of modern architecture in Oxford and Cambridge, commissioning a series of innovative and successful buildings from a sequence of leading architectural practices (Architects Co-Partnership, Arup Associates, MacCormac Jamieson Pritchard). The college's modern buildings epitomise changing architectural ideas and practice over the last sixty years, from the neo-Georgianism of the immediate post-war years through the confident modernism of the late 1950s to the 1970s, to the post-modernism of more recent years. Geoffrey Tyack discusses these buildings in detail, with the help of copious illustrations, placing each building within the context of its architect's oeuvre and relating it to the changing character of Oxford University. It is thus intended to be a contribution to the understanding both of modern collegiate architecture and of reent English architectural in general. Publication will coincide with the 450th anniversary of the foundation of St John's College.
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